Albany, New York.: State University of New York Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p, Rethinks the social processes that violently refashioned Puerto Rican society in the first half of the twentieth century. Drawing on recent theorizations of post-structuralism, feminism, critical criminology, subaltern studies, and post-coloniality he examines the mechanisms through which colonized subjects become recognized, contained, and represented as subordinate. At issue are the cultural practices that necessarily accompanied and aided U. S. colonialist enterprises in Puerto Rico during a shift in the world capitalist market and in geopolitical hegemony with the Caribbean.
Bowling Green, OH: Bowling Green State Popular Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
365 p, "This book of essays - carefully written by twenty-four authorities on their subjects - provides a deep understanding of and appreciation for the coherence, primacy and, importance of the search for identity in the divergent areas of Latin America, the Caribbean, and the Continent." (Barnes & Noble);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
598 p, This book includes information of Theodore Roosevelt and Latin America, the Panama Canal, the Roosevelt Corollary, the Dominican customs house, and the Cuba intervention of 1906
Reiter,Bernd (Author) and Simmons,Kimberly Eison (Author)
Format:
Book, Edited
Publication Date:
2012
Published:
East Lansing: Michigan State University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
314 p, By focusing on the ways racism inhibits agency among African descendants and the ways African-descendant groups position themselves in order to overcome obstacles, this interdisciplinary book provides a multi-faceted analysis of one of the gravest contemporary problems in the Americas. Includes Faye V. Harrison's "Building black diaspora networks and meshworks for knowledge, justice, peace, and human rights."
284 p., The Garifuna are a diasporic community that positions Yurumein (St. Vincent) at the center of its collective memory, and whose populations primarily reside in Belize, Guatemala, Honduras, Nicaragua, and, more recently, in urban centers in the United States. This multi-sited, historio-ethnographic study traces the group's socio-political struggles over time and space against cultural dislocation, ethnic oppression, and culturally destructive forces.
Minc,Rose S. (Editor), Engelbert,JoAnne (Editor), Levine,Linda Gould (Editor), and McCormick,Robert (Editor)
Format:
Conference Proceedings
Publication Date:
1982
Published:
Gaithersburg, MD; [Montclair, N.J.]: Hispamérica; Montclair State College
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 197
Notes:
Papers from the fifth conference on Hispano-american literature held at Montclair State College, 19 March 1982.Includes bibliographical references.Sponsored by David W. D. Dickson, the Department of Spanish and Italian ... [et al.].
193 p., Kwame Dawes coined the term "reggae aesthetic" to explain the paradigm shift in 1960s-70s Caribbean literature that also dovetailed the rise of reggae music in Jamaica. By exploring the impact of popular music on the social developments in late 1960s and early 1970s Jamaica, Dawes offered a new method of Caribbean literary analysis reminiscent of the extant blues tradition in African American literature--similar to the way that reggae music borrows from the blues--and in so doing, highlighted the artistic and cultural influences that link people of color across the "Black Atlantic." This dissertation builds on Dawes's theory by exploring the history and function of music as an aesthetic form and narrative trope in literature of the Black Atlantic. Blues and reggae in contemporary fiction manifest the oral tradition in African storytelling.
398 p., U.S. American literary and creative artists perform the work of developing a discursive response to two critical moments in Haitian history: the Revolution (1791-1804) and the U.S. Marine Occupation (1915 to 1934), inspiring imaginations and imaginary concepts. Revolutionary images of Toussaint Louverture proliferated beyond the boundaries of Haiti illuminating the complicity of colonial powers in maintaining notions of a particularized racial discourse. These productive literatures and art forms actively engage in creating the transnational ideal of diaspora as we understand it today.
