African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
614 p, Cuba has been central to popular music developments throughout the Caribbean, Latin America, the United States and Europe. Unfortunately, no one has ever attempted to survey the extensive literature on the island's music, in particular the vernacular contributions of its Afro-Cuban population. This unprecedented bibliographic guide attempts to do just that. Ranging from the 19th century to early 2009 it offers almost 5000 entries on all of the islandâ¿¿s main genre families, e.g. Cancion Cubana, Danzon, Son, Rumba, and Sacred Musics (Santeria, Palo, Abakua, and Arara), as well as such recent developments as timba, rap and regueton.
Special Religion issue, Includes Martha Ellen Davis, "Diasporal dimensions of Dominican folk religion and music"; Loren Y. Kajikawa, D'Angelo's voodoo technology: African cultural memory and the ritual of popular music consumption"; Joseph M. Murphy, "'Chango 'ta vein'/chango has come': Spiritual embodiment in the Afro-Cuban ceremony, bembé"; Teresa L. Reed, "Shared possessions: Black Pentecostals, Afro-Caribbeans, and sacred music"; and Rebecca Sager, "Transcendence through aesthetic experience: Divining a common wellspring under conflicting Caribbean and African American religious value systems."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194p., Highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late 19th and 20th centuries. The author sifts different origins and styles to place socio-musical movements into a larger historical framework.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Smithsonian/Folkways: CD SF 40412 (on container: SF CD 40412)., sound recording; 1 compact disc, Field recordings recorded, compiled, and annotated by Kenneth Bilby in 1977-1978 and 1991, in Moore Town, Charles Town, Scott's Hall, and Accompong.
Chicago, IL: Columbia College Chicago, Center for Black Music Research
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Many of the song texts are in creole or ritual languages., 214 sound discs (digital) + 2 v. of log sheets, Field recordings, primarily of music, made as part of Bilby's ethnographic and ethnomusicological fieldwork. Jamaica and French Guiana are particularly well represented, but the collection also includes recordings from Antigua, Bahamas, Belize, Colombia, Costa Rica, Dominica, Guadeloupe, St. Vincent, Suriname, Tobago, Trinidad, and the U. S. Virgin Islands, as well as Cuban music recorded in New York.
La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
Grosléziat,Chantal (Editor), Mindy,Paul (Music compiler), and Corvaisier,Laurent (Illustrator)
Format:
Book, Whole
Publication Date:
2012
Published:
Montréal: Secret Mountain
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol. (unpaged) + 1 sound disc, Collection celebrates life’s passages and various island rituals in the tropical isles of Guadeloupe, Haiti, Martinique, and Reunion. Lyrics are reproduced in the original French Creole dialects and translated into English, followed by notes on the origin and cultural context of each song.
