Kwanzaa, an African-American holiday which celebrates family, community, and culture, is the fastest growing holiday in the U.S. An estimated 18 million Africans celebrate KWANZAA each year around the world, including celebrants in the U.S., Africa, the Caribbean, South America, especially Brazil, Canada, India, Britain and numerous European countries. Kwanzaa as an African-American holiday belongs to the most ancient tradition in the world, the African tradition. Drawing from and building on this rich and ancient tradition, Kwanzaa makes its own unique contribution to the enrichment and expansion of African tradition by reaffirming the importance of family, community, and culture. The Seven Principles of Kwanzaa. The central reason Kwanzaa is celebrated for seven days is to pay homage to The Seven Principles of Kwanzaa which in Swahili are: Umoja, Kujichagulia, Ujima, Ujamaa, Nia, Kuumba, and Imani. The principles are also known as The Seven Principles of African American community development and serve as a fundamental value system.
Aruba seceded from the Netherlands Antilles in 1986 and became a separate, autonomous member of the Kingdom of the Netherlands. Movement toward full independence was halted at Aruba's request in 1990. According to the World Factbook, Aruba exports live animals and animal products, art and collectibles, machinery and electrical equipment and transport equipment to the Netherlands, Columbia, Panama, the United States, Venezuela and the Netherlands Antilles.
To honor our sacred heritage, to bear the burden and glory of our history, we must self-consciously resume our vanguard role in the midst of the liberation struggles of the world.
The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
"We select one or two villages to host cultural activities which conclude at the end of October with the grand celebration of the International Creole Day," said George Alphonse, poet, historian, F.R.C. board member, and the chairperson of St. Lucia Creole Heritage Month Committee. "This year, the committee had chosen four villages to hold those activities for the month: Anse-La-Ray, Dennery, Laborie, and Monchy. This is to contribute to the social-economic development of these villages."
Top music industry stars visited the MMPRM booth, sang some of their songs and signed autographs. Haitian-American Hip-Hop and R'n'B artist Jimmy Carter came with his entourage, including a group called "Starvin Krew and he sang his songs "The World," "If You Want To Roll" and some "free style." Special Kudos go out to E-Uneek who M.C'd along with Emmanuel Marcellus. E-Uneek's rendition of his songs from his CD, "200 Years Of Blood, Sweat and Tears" and "Voule" were well received by the crowd. Sweet Micky a/k/a, "The Bad Boy of Haitian music"'s latest CD, "GNB" was represented at the MMPRM booth as Sweet Micky was in Miami and couldn't make it.
Group AFROCUBA de Matanzas, one of Cuba's most acclaimed folklore groups, is one of the few troupes who showcase the wide diversity of African cultures that survive on the island. The group was founded in 1957 in the city of Matanzas, which is considered the prime repository of African culture in Cuba. AFROCUBA is comprised of 19 very talented drummers, dancers and singers, some of whom display talent in each discipline. Even their government representative, Ileana Hernandez, is a talented singer and dancer. Francisco Zamora Chirino, affectionately known as "Menini" has been the troupe's director for a number of years. The dancers include Julia Zulima Echeoana, Antonio Figueroa, Juan Carlos Golbelm, and Leniel Perez. The percussionists include Osmudo Barbaro Aldazabal, Franciso Dominquez Boada, Reynaldo Gobel, Enrique Mesa, Oluis Cancino Morales, and Pedro Abelle Torrente. The singers include Bertina Aranda, Sara Gobel, and Amparo Rodriquez. Of special note are Maria Dolores Perez and Regla "Pola" Perez, whose sister Ana is the featured dancer with Matanzas "other word famous troupe, Los Munequitos, dancer Reynaldo Gonzalez, and Rameses Zamora, "El Professor," who is a music professor at the University of Matanzas.
The festival also gathers expatriate Cuban musicians. They include Xiomara Laugart, a singer from Havana who is now a member of Yerba Buena, at the Jamaica Performing Arts Center on April 30, and the rapper Telmary Diaz at BAMCafé on April 23. The pianist Arturo O'Farrill, who leads the Afro-Latin Jazz Orchestra, brings his Family Band to BAMCafé on April 30, and on May 14 at Symphony Space the Afro-Latin Jazz Orchestra will be the centerpiece of Wall to Wall Sonidos, a marathon of Latin music featuring the premiere of O'Farrill's composition "A Still Small Voice." With luck, the festival's many multidisciplinary offerings will also give the music something it has rarely had in New York: a context.
Last Wednesday, the Haitian American Cultural Society and the Consul General of Haiti recognized non-Haitians of merit in a very special way: with honorary Haitian citizenship. Among the honorees, most notable were Miami-Dade Mayor Alex Penelas, Miami-Dade Commissioner Barbara Carey-Shuler, and Congresswoman Carrie Meek. For Meek, the recognition has added historical significance.
