As President of the Institute of the Black World 21st Century (IBW) and Founder of the Haiti Support Project (HSP), I have just returned from leading a team to Haiti to allocate the first contributions from the IBW/HSP Haiti Relief Fund. A total of $56,000 was distributed to nine community-based/grassroots organizations including women's, youth and peasant groups for relief and capacity-building. Deeply concerned about the plight of Haitian children orphaned by the disastrous earthquake, our team also visited orphanages and assessed the progress of the Oasis Institute, an ambitious Initiative which is designed to relocate orphans and extended family members from tent communities to an interim camp with safe/secure environment, post-traumatic stress counseling and a world class education.
-, Born in Haiti, she was raised in Brooklyn, NY, attended the best school and college. Her mother, Yanissa Elie, nicknamed Lola, a beautiful Black whose the glamour attracted tourists and VIP visiting Haiti in the late fifties, used to sing when Haiti was booming. Ms Jarvelle shares with her mom a very sensitive soul. But, she is committed not to singing and dancing, but to serving. You waste your life when not helping others". Ms Jarvelle does not want the Haitian society to repeat itself the way she did in Haiti. Motivating, making people being themselves. Such are her challenge and dreams.
Conducts a case study that examines public and nonprofit organizations that partnered during the 2010 Haiti earthquake. The case study results show that communication, trust, and experience are the most important partnership inputs; the most prevalent governance structure of public-nonprofit partnerships is a lead organization network. Time and quality measures should be considered to assess partnership outputs, and community, network, and organizational actor perspectives must be taken into account when evaluating partnership outcomes.
More than two hundred Haitian artists came together at "Russo's On the Bay" in Queens, New York on June 5th, 2005. They came from Haiti, Canada and throughout the USA. Namely painters, dancers, musicians, gospel singers, writers and poets, they came to celebrate the birth of the United Haitian Artists' Foundation. It was a glamorous endeavor with excited people of Haitian culture, united in their noble and national mission to bring about awareness, growth and excellence to Haitian artists as a whole, and to the world at large.
Wyclef Jean - the trailblazing hip-hop artist and Haiti's answer to Jamaica's Bob Marley and Ireland's Bono - last month unveiled an ambitious new philanthropic effort aimed at bringing the power and wealth of his own celebrity - and the collective muscle of the Haitian Diaspora - to bear to help his native land. Wyclef christened the emerging non-profit "Yéle Haiti" during a tour of Haiti last month, in which he announced plans to help fund the reconstruction of schoolhouses and a vast scholarship program, among other initiatives.
