African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
169 p, "Provides a compelling feminist analysis of gender politics in the works of four major Africana women writers: Toni Morrison, Michelle Cliff, Assia Djebar, and Paule Marshall." (Amazon.com)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
150 p., Contents: Postcolonial Caribbean women's fiction : a revisionist discourse
Caribbean women's literature in the post independence era Beka Lamb : a look at "befo' time Crick crack, monkey : "when monkey caan see'e own tail" Angel : "light the way for us!" Traversing thresholds.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
Newson,Adele S. (Author) and Strong-Leek,Linda (Author)
Format:
Monograph
Publication Date:
1998
Published:
New York: Lang
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p, Contents: De language reflect dem ethos : some issues with nation language / Opal Palmer Adisa -- Language and identity : the use of different codes in Jamaican poetry / Velma Pollard -- Orality and writing : a revisitation / Merle Collins -- Caribbean writers and Caribbean language : a study of Jamaica Kincaid's Annie John / Merle Hodge -- Francophone Caribbean women writers and the diasporic quest for identity : Marie Chauvet's Amour and Maryse Condé's Hérémakhonon / Régine Altagrâce Latortue -- Unheard voice : Suzanne Césaire and the construct of a Caribbean identity / Maryse Condé --The silent game / Sybil Seaforth -- The politics of literature : Dominican women and the suffrage movement case study : Delia Weber / Daisy Cocco De Filippis -- Children in Haitian popular migration as seen by Maryse Condé and Edwidge Danticat / Marie-José N'Zengo-Tayo -- I'll fly away : reflections on life and the death penalty / Marion Bethel -- Of popular balladeers : narrative, gender, and popular culture / Lourdes Vázquez -- Between the milkman and the fax machine : challenges to women writers in the Caribbean / Sherezada (Chiqui) Vicioso ; translated by Daisy Cocco De Filippis -- Frangipani House : Beryl Gilroy's praise song for grandmothers / Australia Tarver -- Anguish and the absurd : "key moments," recreated lives, and the emergence of new figures of Black womanhood in the narrative works of Beryl Gilroy / Joan Anim-Addo -- Women of color at the barricades / Beryl A. Gilroy -- Women against the grain : the pitfalls of theorizing Caribbean women's writing / Lizabeth Paravisini-Gebert -- Ex/isle : separation, memory, and desire in Caribbean women's writing / Elaine Savory -- Dangerous liaison : western literary values, political engagements, and my own esthetics / Astrid H. Roemer -- The dynamics of power and desire in The pagoda / Patricia Powell -- Voices of the Black feminine corpus in contemporary Brazilian literature / Leda Maria Martins
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p, Contents: The book is organized as a series of essays on related topics all applied to Caribbean women's fiction: white women writers; madness; postcolonial theory, female subjectivity, Bakhtin's Carnival image; ideology (Elaine Savory)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
