African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., A study of the interchange between Cuba and Africa of Yoruban people and culture during the 19th century, with special emphasis on the Aguda community.
Abrahams,Roger D. (Editor) and Szwed, John F. (Editor)
Format:
Book, Edited
Publication Date:
1983
Published:
New Haven: Yale University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
444 P., A chronicle of the cultural relationships between African Americans and their African ancestors. The model of acculturation holds that the characteristics of plantation life in the New World were strongly influenced by African cultural and religious practices.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., With the abolition of the slave trade in 1807 and the emancipation of all slaves throughout the British Empire in 1833, Britain washed its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates Britain continued to contribute to and profit from the slave trade well after 1807, even into the twentieth century. Chapter 4 is about Cuba and Brazil, pp. 83-111.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
307 p, Contents: On diaspora and the Akan in the Americas -- Quest for the river, creation of the path: Akan cultural development to the sixteenth century -- History and meaning in Akan societies, 1500-1800 -- The most unruly: the Akan in Danish and Dutch America -- The antelope (adowa) and the elephant (esono): the Akan in the British Caribbean -- All of the Coromantee country: the Akan diaspora in North America -- Diaspora discourses : Akan spiritual praxis and the claims of cultural idenitity
168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
