African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p, Contents: Introduction: The Third Wave -- Guanahani -- Waves and Echoes -- Olive Senior: Country Air and Juggled Worlds -- Summer Lightning: Customs of the Country -- Arrival of the Snake-Woman and Discerner of Hearts: The Wider World -- Zee Edgell: The Belize Chronicles -- Beka Lamb: A Lesson in History -- In Times Like These: Growing into Home -- Shiva Naipaul: Choreographer of Chaos -- Essays and Stories -- Fireflies: Illuminating the Void -- The Chip-Chip Gatherers: Ropes Across the Abyss -- A Hot Country: Too Much Nothing -- Caryl Phillips: The End of All Exploring -- The Final Passage: The Book of the Parents -- A State of Independence: The Book of the Sons -- Cambridge: The Book of the Ancestors -- Robert Antoni: The Voyage In -- Short Fiction -- Divina Trace: The Tale of Telling.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
263 p., Analyzing pamphlets, newspapers, estate papers, trial transcripts, and missionary correspondence, this book recovers stories of ordinary Caribbean people, enslaved and free, as they made places for themselves in the empire and the Atlantic world, from the time of sugar tycoon Simon Taylor to the perspective of Samuel Ringgold Ward, African American eyewitness to the 1865 Morant Bay rebellion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
A lyrical and evocative dreamscape of the Caribbean. Lively pictures & spare, poetic text are used to illustrate the actions of four island children & evoke the mood of the Caribbean. Where does sea meet sky? Where does sound meet color? Where does song meet soul? They meet where children run, splash, sing, and live, on an island in the West Indies. Rachel Isadora has written an inventive text, just right for the very young, featuring the activities children love. Winsome watercolors depict the connections that exist in the world around us, and take us to the places that lie deep in the hearts of all children, no matter where they live.
Place of publication not identified: CayStreet Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
164 p., Topics include George Town In the 50's and 60's, The Wights and McTaggarts as the owners of Cayman’s First Supermarket who were pioneers of keeping Caymanian young people employed, Miss Kippy School in George Town, Cayman Prep and Rev.George Hicks, Cayman High and Rev. John R. Gray, Aunt Ione's Fried Fish, Church Girls, Ghosts and Rolling Calf, Dating in the 60's,The Flag Carrier, Cayman Bruce Lee, C.H. Goring and Barbadians in Cayman, A Cayman Summer, and 50’s Christmas in Cayman.
Port of Spain, Trinidad and Tobago: Bocas Lit Fest
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
119 p, This book of sixteen tales is divided into two parts: the first features stories told by youngsters beneath the age of 10, and the second showcases the work of children aged 11 through 15. The titles of some stories are the same, but this is where the similarities stop. Each of the sixteeen fables is equally precious, highlighting the talent, creativity and boundless imagination of our nation’s budding wordsmiths.
