Who are they? [Raoul Peck] works primarily with an ensemble made up of [Sarah]'s family and members of the infamous TonTon Macoute. It's these men operating outside civilian and military law, who imbue "The Man By The Shore" with its thick taste of dread and fear. For it quickly becomes obvious that they can threaten, maim, even kill anyone at anytime for the least of slights. Janvier (Jean Michel Martial), the chief of the Macoutes here, wields unbridled power, making him one of the most fearsome screen villians in recent times. "The Man By The shore" combines the terror of the Duvalier regime and Haiti's natural beauty in a gripping story. Audiences may leave questioning whether it's better to remember or to forget!
"I think it's a joke," Miami-based Haitian business woman and [Jean-Bertrand Aristide] supporter Lucie Tondreau told The Times. "These same people talking about they are representing the industrial class are the ones that are paying people 68 U.S. cents a day for 17 hours of work. These are the same people who have just fired over 300 poor people without indemnity. These are the same people who over the years in Haiti have refused to pay taxes, electricity, who have not invested in the infrastructure, in the schools of Haiti, and today they are coming here talking about democracy?," Tondreau wondered. "He" (Aristide) "was at the basis of reinforcement of polarization," said [Apaid]. "He was prone to keep our country divided. He knew our mentality and rather than try to correct it he was accentuating it while making deals behind the palace door with the very people he was attacking. So there was a hypocrisy in it and it's just traditional political behavior. We want to go beyond that." While Apaid described the current situation in Haiti as slow with a lot of problems but moving in the right direction, Tondreau described Haiti as a place where people have no right to demonstrate without being killed. "We need the duly elected president back in Haiti," said Tondreau.
Very few people have ever heard of the war between the Blacks and Mulattoes in Haiti. This was a war between light-skinned Blacks and dark skinned Blacks. Interestingly, outsiders who had a stake in dividing Haiti's victorious army engineered this war. The old adage of divide and conquer that was used and is still used. If the students at Howard University who devised the paper bag test had only read of the war between mulattoes and black in Haiti they would have been ashamed of their actions. Other African Americans immigrated to Haiti, stayed, and became prominent members of Haitian society. Hezekiah Grice was an Afro American leader, and a supporter of emigration by Blacks to Haiti. He was convinced that there would never be full emancipation for Blacks in this country. Outraged at the treatment of his people in America, he immigrated to Haiti, and became the director of Public Works in Port-Au-Prince.
Artist [Guy S. Fleury] began to to paint at the age of 12. After emigrating to the United States in 1970, he painted consistently until 1974. Fleury studied Haitian art and history with notable Haitian artist Wilfrid Austin, known as "Frido." He also studied the fine art and is strained in art restoration and expert framing. Each of Fleury's paintings has a unique touch and it is very difficult to recognize his paintings unless you are very familiar with the painter himself. Fleury remains true to his images of Haitian subjects but not in a typical or traditional way. Fleury paints scenery of his native town of St. Marc depicting personage, way of life - the coumbite, historical events, spiritualism, traditional values, etc.
"Gonaives... my heart is being torn apart, too many mothers have lost too many children," [Wyclef] sings in Creole, while distributing WFP food rations. "We wanted to capture the raw essence of Gonaives and give people inspiration. Not like: 'Be sad for us,' but asking how can we as people really help Gonaives," he said.
Last Wednesday, the Haitian American Cultural Society and the Consul General of Haiti recognized non-Haitians of merit in a very special way: with honorary Haitian citizenship. Among the honorees, most notable were Miami-Dade Mayor Alex Penelas, Miami-Dade Commissioner Barbara Carey-Shuler, and Congresswoman Carrie Meek. For Meek, the recognition has added historical significance.
"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
"We provide this venue as a linkage for Haitians throughout the diaspora," President of the Haitian Heritage Museum Eveline Pierre told The Miami Times. "It's about educating the public about the phenomenal contributions Haitian Americans have made as a people, which will create a legacy for future generations." "In the building's design, we want it to reflect Haitian designs, and for that we want community imput," said [Serge Rodrigue].
[Teresa Heinz Kerry] shared the stage with two Haitian women, Aderadle Jules, 56, who had one family member to die in the floods and is missing seven, and Desita Fevrier, 52, who lost all eight of her family members in the Gonaives flood. Heinz Kerry first addressed the audience in French, which the predominately Creole speaking audience responded to favorably. Heinz Kerry said she did not know how the Haitian community was set up to handle disasters of the magnitude of Tropical Storm Jeanne. After acknowledging that she was not familiar with every Haitian issue, Heinz Kerry expressed concern about the United States' repatriation policy regarding Haitians. "I don't honestly know what the policy is for Haitians and Cubans when they come by boat to this country. What I don't understand is why do Haitians once they land have a different kind of treatment where they are held up for so long," Heinz Kerry pondered, as she drew applause from the audience.
Toussaint L'Ouverture: The Other Bonaparte! When the friction of social injustice and deprivation ignite that fuel, glimmers of hope begin to surface. So it happened with the baby boy who came on the world scene as Toussaint L'Ouverture. Acts such as these stirred [Toussaint]; he felt destined to remedy the societal ills. He also knew the time was not yet right, so he waited and learned. Toussaint became the most humble, obliging slave. He was held up as a model to other slaves.
