African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
159 p, Discusses the importance of the role played by the Caribbean mother in her Latina daughters' negotiation of a hybrid identity as seen through the works of Julia Álvarez, Cristina García, and Esmeralda Santiago
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p, Contents: 1898 : hispanismo y guerra / Arcadio Díaz Quiñones -- 1898 : a new beginning or historical continuity / Reinhard R. Doerries -- American expansion : from Jeffersonianism to Wilsonianism / Ralph Dietl -- Columbus, the Spanish-Cuban-American War, and the advance of U.S. liberal capitalism in the Caribbean and Pacific region / Thomas Schoonover -- The German challenge to American hegemony in the Caribbean : the Venezuela crisis of 1902-03 / Ragnhild Fiebig-von Hase -- La crítica martiana del concepto del panamericanismo de James G. Blaine / Josef Opatrný -- Los trabajadores urbanos y la política colonial española en Cuba desde la Paz de Zanjón hasta la Guerra de Independencia (1878-1898) / Joan Casanovas Codina -- Cuba en el período intersecular : continuidad y cambio / Elena Hernández Sandoica -- The year 1898 in Puerto Rico : caesura, change, continuation? / Ute Guthunz -- Miles & more : 1898 and "caballeros líricos" : Luis Muñoz Rivera and José de Diego / Wolfgang Binder -- Fin de siglo en Colombia : la Guerra de los mil días y el contexto internacional / Thomas Fischer -- 1898 y Panamá : cesura, cambio o continuidad? / Alfredo Figueroa Navarro -- La inclusión de un estado caribeño en la doctrina de la "western hemisphere" : el caso de Haiti / Walther L. Bernecke
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, In the 19th and 20th centuries, the Hispanic Caribbean was fundamentally a plantation economy dominated mainly by the world sugar market. The politics were shaped by revolutions, political coups, wars, and elections, resulting in an end of Spanish power, independent states, and the domination of the region by the United States. These developments led to changes in social values. The author follows these developments throughout the main Hispanic islands and provides a fascinating picture of a region in turmoil.
282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.
321 p., Locates contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. Examines the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, the author addresses representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse.
221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
Discusses the ways in which Santeria gatherings produce an alternative use of otherwise stigmatized language for 'gay' practitioners. Through the use of distinctive language to reference all of these populations, we may rethink the relationship between identities and practices, and within that, gender presentations vis a vis identities.
