The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
They continued to avoid the racially-motivated behavior of many in the Cuban population in South Florida. In fact, the Caribbean (black?) organizers of the carnival care so little that they were happily prepared to give away the carnival's culture-driven economic and social enterprise to the Cuban community, even if the Cubans didn't really want anything to do with it, like Jewish Miami Beach and WASP downtown didn't. Does this mean that the huge economic infusion that was offered to other communities for acceptance is going to be realized by the people in Opa-Locka? Because, suddenly, it's as if some people belatedly became a little blacker; after all, they're home, they claim, to Opa-Locka. Yeah, right. The carnival organizers have some cojones, if not much sense of appropriateness. They outdid themselves in their fantasizing (but then, that's carnival). They opted for Hialeah and tried to hitch their wagon to Mayor Penelas' new coattail. Somebody needed to remind them of some of the politics involved. Seems Mayor Alex and Mayor [Raul Martinez] `don't tek tea', as we say in the Caribbean. Probably something to do with Alex backing the candidate who ran against Raul. Next stop, Hialeah City Hall. The rest, they say, is history.
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: KerryByrnes4 Document Number: D01558
Notes:
Kerry J. Byrnes Collection, USDA/FAS/OCID/IIP, Rural Development Division, Office of Development Resources. United States Agency for International Development, Washington, DC.22 pages.
Speaking of "audacity of hope," [Marcus Mosiah Garvey] burst upon the global scene at a time when the vast majority of Africans suffered under the boot of white supremacy either through ruthless, exploitative and humiliating forms of European colonialism or segregation/apartheid in the Diaspora. As his life's commitment, the Jamaican-bom national was determined to use his extraordinary gins as a visionary, orator and organizer to uplift the African race and propel Black people to their rightful place in the forefront of civilization. To achieve his goal, however, he had to find a way to "keep hope alive." One of Garvey's greatest gifts was his keen appreciation of the role that symbols play in inspiring, uplifting and motivating disadvantaged and oppressed people. There was hardly a more daunting challenge than finding a way to give hope to the ethnically disparate and virtually universally despised sons and daughters of Africa. Never one to be discouraged by the difficulty of the task, Garvey boldly declared that he would give Black people a vision of a "government," men of "big affairs and a "flag!"
"But equally important, it was a celebration of the showbiz pioneers who met the standards of excellence that have enabled the Black community to lead the world of entertainment in Britain today." Songstress Beverley Knight, who became the envy of every woman in the land when she belted her heart out alongside sexy soulster Lynden David Hall, described the evening as "an history event." Roachford said: "I was honoured to be asked to perform."
Due to political infighting and wrangling between 1996 and 2008, the Caribbean Cultural Festivities Association (CCFA), was served by five different presidents. The wrangling intensified in 2009 when a feud erupted between CCFA and the Montreal Carnival Development Foundation (MCDF) in order to determine the coordinator of the parade. Caught in the middle, the City salvaged the parade by offering each group a permit under two names and $10,000 each. In "A Deeper Look At The Perils Of Our Community" (26-8-10), Dr. Clarence Bayne took a more satirical look at the situation. He likened our existence to a minority who lives in a trap and those leaders in this arena are perceived as tricksters and community leeches that employ deception and treachery that help to keep us in chains. These are those, he noted whom Bob White has given the title "poverty pimps". Such personalities, he lamented behave like crabs in a bucket (barrel). In a commentary entitled "Community Must Stand Against Disunity and Disrespecf (20-5-10), [Egbert Gaye] asserts that "blame in this situation must be placed at the unwashed feet of the collection of invalids who chose not to come together to salvage the parade and a bit of our dignity".
The CIA created a covert operation called JM WAVE which was based in South Miami. It's mission was to assassinate [Fidel Castro] and repatriate this area's Cubans back to their land. This undertaking had over 15,000 exiles on it's bankroll and had a budget of over $50 million dollars, which is worth over $350 million dollars in today's market.
The fall season is always a kickoff for months of celebrations. From Rosh Hashanah to Columbus Day to Veteran's Day and of course Thanksgiving fall becomes a season of celebrations. And Caribbean folk in their usual creative manner fit their traditions and celebrations right into the thick of things. "Ethnic Brides is all about acknowledging the rich heritage of our African and cosmopolitan background, of mixing traditional with contemporary to make one's wedding memorable, exciting and rich in heritage," says Jacqui Scott, who hosted the event. Especially thought provoking was the poem "Dat bumpy Head Gal", inspired by her real-life experience where she was criticized by some members of the Jamaican public for wearing her "chiney bump" hairstyle on television.
"They were walking toward me on the street, then they pulled up their locks, shook them back in, and smiled," she recalled, with a laugh. "I shook my locks at them, too. They would go, 'Yo!' And I'd say, 'Yo!' It was fun to get that type of acknowledgement. It showed how we are connected as Africans. There's nothing that can make that go away." [Russo], she added, also discussed now Cubans might benefit from a more open relationship with the U.S.A., even though it may change Cuba's moral character. While [Linda Jennings] hopes better communication is achieved through the blockade's elimination, she is worried that America's dominant influence would alter Cuba's innocence. It seems like today, in our communities, the lack of material items makes Black people feel inferior. Cubans don't, seem to have that problem, Jennings said. Black people have propelled themselves to a more material, individualistic society, which has made too many of them forget who they truly are to themselves. Having seen Cuba's society in person I don't understand why a Cuban would want to defect here."
