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42. Live and Kicking: An age-old problem; Are Black elders passing on the benefit of their experience to the young?
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-11-22
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 884 : 9
- Notes:
- Occasionally, a rare talent emerges, such as Lauryn Hill or Maxwell, whereas previously the talent came in hordes. Look at the way Lauryn Hill has gone back to Bob Marley and Stevie Wonder for inspiration and technique. She's still a rap artist but here is a woman who has learnt her trade. It's a question of feeling basically unsafe around a generation that has no respect for its elders.
43. Live and Kicking: Celebrating our roots; Get a lift as we remember the arrival of the Windrush
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1998-01-05
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 787 : 8
- Notes:
- This means that we must find ways of re-making and continuing the Caribbean traditions that our forefathers brought with them when they got off the Windrush. For me, there are three important lessons. The first is what I call the anatomy of Black existence; put simply, the understanding of the key factors that shape one's life. Second, the ability to take no nonsense, particularly from White people and, thirdly, a sense of humour. This cry is not just for schools to do more Black history. They are actually saying that they have no road map, no narrative structure of their existence in this world as Black people. They are disconnected from the strength and depth of those folks who travelled on the Windrush. It's as if they were orphans connected to no meaningful history or narrative other than the White structures around them. These people were spiritual, not in the religious sense with denominations and heavy moralising, but in the way they used the Judeo-Christian tradition in trying to understand the Black story. The most powerful and popular way in which this was expressed was through Rastafarianism. The second Windrush value is the power to get vex and fight racism. One thing I can say for certain in 1998 is that a disproportionately high number of Black males will die in police custody under suspicious circumstances. My parents told me after the Notting Hill riots in the '50s, White people realised `you don't mess with a West Indian'. Schools, the police and politicians must not be allowed to take us for granted.
44. Local theater troupe wants to help unite Blacks, Haitians
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brown,Melissa N. (Author)
- Format:
- Newspaper Article
- Publication Date:
- Sep 15-Sep 21, 2004
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Miami Times
- Journal Title Details:
- 3 : 1A
- Notes:
- "[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
45. Mocko Jumbies: giants among us
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brooks,Vernon (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-09-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 10 : S11
- Notes:
- Mocko Jumbie, as it is called in the Caribbean, has been a part of the Virgin Islands culture for more than 200 years. The phrase "Mocko Jumbie" may have different meanings according to the different tribes that practices the art. "Mocko" could mean "Mock" or it could mean "Good God."
46. Music Reviews
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Duperly,Howard 'Flagga' (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-09-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 10 : 15
- Notes:
- There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
47. New Station Leaps into S. Florida's Caribbean Radio Contest
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Smikle,Patrick (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-11-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 12 : 2
- Notes:
- "We're not a Jamaican station. We're not a Trinidadian station. We're not a Bajan [Barbadian] station. We're not an African-American station," [Carl Nelson] says of his station, which broadcasts from Davie, near Fort Lauderdale. "Our target audience is the entire Caribbean [community], and that includes second-generation Caribbean Americans and people [of other nationalities] who like Caribbean-American music." Nature of service "We don't see the radio as a juke box," he says. "We're here to serve the community and just because you put some music on the radio doesn't mean you're serving the community." "Everybody who's advertised with us has reported good results," he says. "That's because they're getting a mix of people. They [reach] people from all the different islands. They get African Americans. They get whites. For them [the advertisers]it's a plus."
48. Old friend, new face
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- 1998-07-31
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 8 : S2
- Notes:
- Today, Grace, Kennedy & Company is aggressively moving forward to meet new goals with a range of policies and programs designed to ensure its pr-eminent position in both the Caribbean and the world. These efforts include an ambitious brand "re-launch" complete with new logo, vibrant new label designs, and a new advertising campaign driven by a positioning statement reinforcing the company's pre-eminence: "Grace Foods, Genuine Caribbean Taste. Enjoyed Worldwide." While its first priority will always be towards serving the nutritional needs of its Caribbean home and "family," Grace, Kennedy & Company has now embarked on an aggressive new push into another world market, with plans to expand its sales to West Indian "expatriates" living abroad, as well as to the burgeoning number of people everywhere who desire the genuine taste of the Caribbean. Thus, the re-launch of the Grace brand, as a true "world brand" began in May of this year with this new positioning line as its corner stone. The advertising campaign, crated in conjunction with Michigan based consultants Stone & Simons Advertising, includes an overall theme, "The New Face of Grace," designed to address the brand's new logo and labeling, as well as the new "faces" around the world who are choosing Grace Foods for their "Genuine Caribbean Taste."
49. Petty politics killing the culture
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Bishop,Bryan (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2000-07-24
- Published:
- Montreal, Quebec, Canada
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Montreal Community Contact
- Journal Title Details:
- 9 : 4
- Notes:
- I am not sure what the reasons why "the arena on Vezina" was left empty on Carifiesta weekend while fans of Caribbean culture had to travel all the way to the West Island from place as far as the South Shore, Cote des Neiges, and La Salle to get a taste of Machel, Tall Pree, Traffik, and others. And perhaps the reasons are really not that important. The CCFA, as public trustees, are in no position to allow private and personal issues to get in the way of denying its use to anyone who wishes to use it for the benefit and promotion of Caribbean culture (save for the fact that they might cause material damages for which the CCFA might be held liable). given the fact that the CCFA is in no position to organize expensive parties (because of current and past financial losses) the next best thing would be to allow private individuals that opportunity. This is something which has been done in the past with some kind of honoraria going to the CCFA.
50. Point of order; The new Haitian revolution
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Clyne,Reginald (Author)
- Format:
- Newspaper Article
- Publication Date:
- Mar 30-Apr 5, 2005
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Miami Times
- Journal Title Details:
- 31 : 3A
- Notes:
- One group of Black immigrants have become involved in the economic and political life of Miami, and their power is being felt in North Dade. I call this the New Haitian Revolution. It began on many fronts. I remember listening to some Black American men laughing-at Haitians because family members would pool their money to buy a home. Multiple families would live in the house, and then the families would pool together and buy another house. Eventually, all of the Haitian families would own a home. I wonder what those same Black men are saying now, when Haitians now own homes and their detractors are still renting. This was the start of a quiet new Haitian revolution. Haitians working together to improve their economic fortunes - a method employed by other successful immigrant groups such as Jews and Cubans. The revolution took place quietly, but it is now clear that there is a new power group in this community. Haitians have started successful medical practices, radio stations, law firms, and other businesses. They have taken over the politics of the City of North Miami, and are one of the new power groups being courted by anyone running a county wide race.