The celebration officially started with a combination press conference and job fair at FIU's Biscayne Campus. Co-sponsored by Miami-Dade County and the South Florida Workforce, the FIU event featured a luncheon hosted by Emiline Alexis of the County Mayor's office. The job fair was held in honor of Haitian Labor Day and was held in the lobby and patio of FIU's Wolfe Center. Sunday was an especially busy day with a book reading at the Mapou Bookstore in Little Haiti, a complimentary buffet featuring foods (and music) from all nine of Haiti's Departments (provinces), and an infectious and intoxicating display of Haitian drumming and vocal performances called "Zaka" in the Design Destrict.
Collectively, these works, done in a burned-looking technique called 'soleil brulé', spell out Haiti. While visiting his daughters, who live in Inverrary, TIGA proudly displayed stacks of the paintings - each different and haunting, each either spiritual or personal portrayals of Haitian vodou gods and goddesses or his beloved relatives. Haiti through the lens of a camera is portrayed in "Haiti: Land of Contrasts," from May 7 to 29, at the African American Research Library and Cultural Center in Fort Lauderdale. It features the images of Roberto Stephenson, author of Les Interiors d'Haiti, and Daniel Kedar, whose books include Reflections, Haiti from Above, and Portrait of a Country. The final event of the month takes place at 7 p.m. on May 22 at the Broward County Main Library, when Dr. Alex Stepick will speak on "Perception of the Haitian Profile." He'll be followed by another lecturer, Terry Rey of Florida International University, who'll discuss "Religion and Politics in Haitian History."
Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying." Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying."
"The launch event in March was really successful. Everything came together for a totally perfect night," Laura Quinla, Rhythm Foundation Director said. "What was especially cool was that it was a lot of different kinds of people of all backgrounds and ages having a great time together." "It is important to focus on the wealth of culture that Haiti has great music, art, dance. The culture is so rich. Little Haiti also has a lot of nice experiences to offer the general public," Quinla said. "We are hoping our night grows and encompasses all the artist studios, cultural venues, shops and restaurants in the area. I think it will be something people throughout South Florida will look forward to every month."
"Currently the districts only dilute the voting strength of Haitian-Americans," he said. "If the county does not increase the number of seats, the chances are that within the next 10 years you will see a Haitian American and an African American fighting for the same seat," he said. "This would cause deep ethnic division. And we already have enough ethnic division." "In the past Commissioner Gwen Margolis has supported the idea in principal. And Commissioner Dorrin Rolle has questioned the timing of it," he said.
We must continue to support one another for the future of our community. We need to see more African American leaders coming into the Haitian community, not just during election time but throughout the year. We need to see more solid commitment on the part of the Haitian community also to join different causes in the African American community. These are the only ways we can overcome in this struggle for equality. If we continue to treat our political interests as separate entities, we will never get to partake of the ftuits of democracy. Concerned citizens and political officials in both communities need to let people know that we don't have a Haitian/African American problem. I would hope that the Haitian community can realize that just because Mr. Duke, an African American, was defeated by Mr. [Joe Celestin], a Haitian, that Haitians are not "better" or "tougher" or "stronger" than the African American community. Likewise, the African American community needs the growing Haitian vote in the future. Haitian and African American people are one race, living through different cultural lifestyles. It's okay to have different lifestyles, as long as we respect each others' differences, without animosity or violence. For instance, the Latin community is comprised of Spanish-speaking people from different countries: Cuba, Colombia, Puerto Rico, Guatemala, Nicaragua, etc. Does anyone think that these groups are in complete harmony with one another? The answer is no. The different Spanish-speaking groups do not like one another that much but, in reality, when it comes to standing up for a common cause you see them marching side by side, taking pictures with each other and voting for each other.
Needless to say, it would take more than this short column to list all her accomplishments and all the legislative activities she had been involved in. Suffice it to say, however, she fought very hard, not only for her constituencies, but also for what was right. And this is the point that requires a reflective pause for the Haitian community. The Haitian community, along with some non-Haitian observers, has always felt that it has been discriminated against by U.S. immigration policies. Back in the 1980's and the early 1990's, there were many Haitian activists who took to the streets and to the airwaves to decry these discriminatory policies. However, none of the Haitian activists were elected officials. Certainly, the efforts of these activists were very important and sometimes fruitful in the context of exposing the inequality of these policies to the larger American public.
"[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
Although the program has a long, academic-sounding formal tide, "Sugar, Slavery and Imperialism: How Sugar Drove the Forced Migration of Africans to the Caribbean and the Impact of the Haitian Revolution," it is an informal presentation aimed at general audiences. This is a rare opportunity to learn more about Haiti's former status, as the richest, rather than the poorest, country in the hemisphere; about Haitian participation in the American Revolutionary War and aid to other independence struggles; about the brilliant diplomatic and military leadership of Toussaint L'Ouverture, Dessalines, Petion and others, who defeated the forces of Napoleon, Britain and Spain together; about how the Haitian victory caused Napoleon to sell the vast Louisiana territory to the United States, and about the great heroism of ordinary Haitians that was required for victory to be won. (The Louisiana Purchase, which will be commemorated on specially minted nickel coins in 2004, also opened the way for an expanded domestic "slave trade" within the United States, which was even larger than the former Atlantic trade).
On March 1st and 2nd, The Riverside Church will open its doors to metropolitan New Yorkers for a Haiti Festival - a cultural and spiritual celebration of Haiti. The "Haiti Festival" will kick off Friday, March 1st with a workship service and live performances by Haitian folk and roots musicians. The Festival will continue on Saturday as Riverside Church is transformed into a traditional Caribbean marketplace alive with the rhythms and folklore of Haiti.
