Ella Fitzgerald and Louis Jordan's recording of “Stone Cold Dead in the Market” was a major R&B and pop hit in 1946. In narrating a woman's murder of her abusive husband from a sympathetic first-person point of view, the recording's depiction of domestic violence raises the question of how it achieved mass popularity in a cultural milieu that discouraged frank discussion of this topic. This article accounts for this popularity by tracing the musical and lyrical changes between the hit recording and its sources, the Caribbean folk ballad Payne dead/Murder in the market and calypso performer Wilmouth Houdini's 1939 adaptation He had it coming.
During the early 1970s the U.S. songwriter, musician, and producer Van Dyke Parks completed work on a series of albums exploring the musical contours of the circum-Caribbean region and, through them, broader patterns and issues in 20th-century relations between the U.S. and the Caribbean.
