In her book Louisiana, Erma Brodber reflects on the alliances that should exist between the African American and Afro Caribbean peoples, symbolically repairing the fissures that exist between the two, while addressing an uncommon subject in Caribbean migrant literature. Brodber's literary themes toward the unification of the relationships shared amongst the black diaspora articulate the legal tensions and national differences that can impede these alliances. Although Brodber's novel approaches this by creating a reconnection of the African diaspora in a borderless and nationless transmigration, and sometimes through a spaceless spirit world, Page argues that in reality this reunification is affected by the rules of the state that simply cannot be ignored.;
Discusses various reports including an analysis of the writings of African-Caribbean writer Anne Hart Gilbert, the plantation as a crucial source of difficult affective memory, and sexuality in fiction by Caribbean authors Opal Palmer Adisa and Erna Brodber.
Caribbean women writers such as Erna Brodber and Opal Palmer Adisa often include men in women's liberatory quests as participants. The close connection between sexuality and emotions in this body of writing can be read through a new model of affective feminist reader theory. Women's sexual healing processes in the novels discussed in this article are not solely gynocentric in the Caribbean context: men are often active participants in these processes, and thus also in gender reconfigurations.
"Recent West Indian literature by women offers a locus of debate over the retrieval of the body from and within western discursive erasure. This erasure of the female body and its possible reclamation is of course central to contemporary feminist debate, and has its own genealogy within feminist discourse. My interest in this question, however, is in the ways in which colonialism's discursive and institutional apparatuses obliterated and continue to obliterate the colonised (specifically female) body, and the counter-colonial strategies by which this 'lost' body might be reclaimed. In their fiction Erna Brodber and Jamaica Kincaid anatomize the body's erasure under a colonialist scriptive drive and explore potentials for the re/cognition of corporeality and sexuality." (author)
The erasure and denial of the female body and of female sexuality in the fiction of Erna Brodber and Jamaica Kincaid represent the erasure and denial of the colonized Caribbeans by their European colonizers. The female characters of both Brodber and Kincaid, however, retrieve their bodies through various means, from education to a realization of the power of their sexuality. This retrieval of the female body symbolizes freedom of the Caribbean body from colonization.