Explanations of the Abolitionist movement's success in Brazil (1888) have, since the 1960s and 1970s, emphasized the movement's material context, its class nature, and the agency of the captives. These analyzzes have misunderstood and gradually ignored the movement's formal political history. Even the central role of urban political mobilisation is generally neglected; when it is addressed, it is crippled by lack of informed analysis of its articulation with formal politics and political history. It is time to recover the relationship between Afro-Brazilian agency and the politics of the elite. In this article this is illustrated by analysing two conjunctures critical to the Abolitionist movement: the rise and fall of the reformist Dantas cabinet in 1884-85, and the relationship between the reactionary Cotegipe cabinet (1885-88), the radicalisation of the movement, and the desperate reformism that led to the Golden Law of 13 May 1888.
Frewer, Lynn J. (author), Behrens, Jorge H. (author), Barcellos, Maria N. (author), Nunes, T.P. (author), Franco, Bernadette D.G.M. (author), Destro, Maria T. (author), and Landgraf, Mariza (author)
Format:
Journal Article
Publication Date:
2010
Published:
Brazil
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 176 Document Number: C30223
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: London : Latin American Bureau, 2006., 205 p., Relates the story of Grupo Cultural AfroReggae, an organization based in Rio de Janeiro, Brazil, that employs music and an appreciation for black culture to inspire residents of shantytowns to resist the drugs that are ruining their neighborhoods.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., One hundred years ago in Brazil the rituals of Candomble were feared as sorcery and persecuted as crime. Its religious objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Original edition translated from Portuguese by Elena Langdon., 266 p., An examination of the meanings of blackness in the Brazilian state of Bahia, which is often called the most African part of Brazil.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
173 p, Contents: O intérprete negro na música brasileira nos séculos XVIII e XIX -- Joaquina Maria da Conceição Lapa (Lapinha) -- Camila Maria da Conceição -- Principais apresentações e repertório de Joaquina Maria da Conceição Lapa (Lapinha) --Pincipais apresentações de Camila Maria da Conceição (1892-1908).
