There are 38.9 million blacks in the United States. According to the 2000 census there are 75.9 million citizens of Brazil who would be classified as African American in the U.S. Since there are only 91.3 million Brazilian whites, who dominate the country, one wonders why so many blacks are living in poverty in favelas (slums).
As Angola restructures following a long civil war and Brazil takes a leading role among the rapidly developing BRIC nations, new questions arise pertaining to the African heritage in Brazilian music and to Brazil's role in Angolan cultural initiatives and musical markets. Through examination of Brazilian discourse about such exchanges, combined with a comparative analysis of three versions of Angolan musician Teta Lando's 1974 song, Angolano segue em frente—the original, a recent Brazilian re-recording, and a Brazilian remix—new attention is given to the South-South dialogue that builds on historical connections yet also establishes new resonances in musical evocations of Atlantic affinities.
The Philadelphia region was the site of a rare, artistic treat when Balé Folclórico, Brazil's premiere professional folk dance company made a special Black History Month visit. Formed in 1988, the 33-member troupe of dancers, musicians, and singers perform a repertory based on various Bahian folkloric dances of African origin, including: capoeira (a form of martial arts), samba and other cultural traditions celebrated during Carnival. Hailing from Salvador, in the northeastern state of Bahia, Balé Folclòrico represents Bahia's most important cultural manifestations under a contemporary theatrical vision that reflects its popular origins.
Examines the meanings of the marvelous in the context of the Afro-Brazilian ritual called the Reinado de Nossa Senhora do Rosário, according to the way it is applied in the song lyrics and in participants’ verbal discourses. Analyses were based on participants’ perspectives about the origin and history of their religious tradition, which is based on their enslaved ancestors’ experiences of pain. Those facts and events still highlight the sense of belonging to this tradition nowadays and make their performative acts meaningful, significant, and thus wonderful., unedited non–English abstract received by RILM] Os significados da ‘maravilha’ no contexto do Reinado de Nossa Senhora do Rosário, tal como o termo é utilizado nos cantos e nas elaborações discursivas dos congadeiros, são aqui abordados a partir da perspectiva desses participantes sobre a origem e o percurso histórico de sua tradição religiosa, calcada na experiencia da dor de seus ancestrais escravizados. Tais fatos e eventos ainda motivam o pertencimento a essa tradição no presente e preenchem de sentido, de significância e, consequentemente, de maravilha as ações performáticas atuais.
The Web site will also feature facts on Afro-Brazilians; Brazilian events taking place in the United States and Brazil; updates on Brazilian politics; and the upcoming World Cup and the Olympic Games. Afro-Brazilian.com will also feature articles from noted Brazilian and African American reporters across the United States. According to MercoPress, an independent online news agency, Afro-Brazilians represent the largest ethnic group in Brazil, making up more than 49 percent of the population. Afro-Brazilians have a cultural influence on Brazil that spans from cuisine, literature, sports and art, among others. Some of the little known facts on Afro-Brazilians include: * African culture has been instrumental in the development of Brazilian cuisine. Feijoada, Brazil's staple dish, was developed by African slaves * Blacks and pardos have a low representation on Brazilian television. In 1996 Taís Araujo was the first and only Black actress to be featured as a protagonist in a telenovela
According to MercoPress, an independent online news agency, Afro-Brazilians represent the largest ethnic group in Brazil, making up more than 49 percent of the population.
Avelar,Idelber, (Ed.And Intro.) and Dunn,Christopher, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
2011
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
376 p, Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil's most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
45 p., Presents some of the key law enforcement and socioeconomic policy lessons from one type of response to urban slums controlled by non-state actors: namely, when the government resorts to physically retaking urban spaces that had been ruled by criminal or insurgent groups and where the state's presence had been inadequate or sometimes altogether nonexistent. Focuses specifically on Brazil, Mexico, Colombia, and Jamaica.
