Explanations of the Abolitionist movement's success in Brazil (1888) have, since the 1960s and 1970s, emphasized the movement's material context, its class nature, and the agency of the captives. These analyzzes have misunderstood and gradually ignored the movement's formal political history. Even the central role of urban political mobilisation is generally neglected; when it is addressed, it is crippled by lack of informed analysis of its articulation with formal politics and political history. It is time to recover the relationship between Afro-Brazilian agency and the politics of the elite. In this article this is illustrated by analysing two conjunctures critical to the Abolitionist movement: the rise and fall of the reformist Dantas cabinet in 1884-85, and the relationship between the reactionary Cotegipe cabinet (1885-88), the radicalisation of the movement, and the desperate reformism that led to the Golden Law of 13 May 1888.
Frewer, Lynn J. (author), Behrens, Jorge H. (author), Barcellos, Maria N. (author), Nunes, T.P. (author), Franco, Bernadette D.G.M. (author), Destro, Maria T. (author), and Landgraf, Mariza (author)
Format:
Journal Article
Publication Date:
2010
Published:
Brazil
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 176 Document Number: C30223
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: London : Latin American Bureau, 2006., 205 p., Relates the story of Grupo Cultural AfroReggae, an organization based in Rio de Janeiro, Brazil, that employs music and an appreciation for black culture to inspire residents of shantytowns to resist the drugs that are ruining their neighborhoods.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., One hundred years ago in Brazil the rituals of Candomble were feared as sorcery and persecuted as crime. Its religious objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Original edition translated from Portuguese by Elena Langdon., 266 p., An examination of the meanings of blackness in the Brazilian state of Bahia, which is often called the most African part of Brazil.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
173 p, Contents: O intérprete negro na música brasileira nos séculos XVIII e XIX -- Joaquina Maria da Conceição Lapa (Lapinha) -- Camila Maria da Conceição -- Principais apresentações e repertório de Joaquina Maria da Conceição Lapa (Lapinha) --Pincipais apresentações de Camila Maria da Conceição (1892-1908).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
231 p., Contents: Introduction -- Genocide in the African diaspora : Brazil, United States, and the imperatives of holistic analysis and political method -- The inner city and the favela : transnational black politics -- Hypersegregation and revolt : the Los Angeles black ghetto in historical perspective -- The Los Angeles Times' coverage of the 1992 rebellion : still burning matters of race and justice -- Hyperconsciousness of race and its negation : the dialectic of white supremacy in Brazil -- When a favela dared to become a condominium : challenging Brazilian apartheid -- Black radical becoming : the revolution imperative of genocide.
Maio,Marcos Chor (Editor) and Santos,Ricardo Ventura (Editor)
Format:
Book, Edited
Language:
Portuguese
Publication Date:
2010
Published:
Rio de Janeiro: Editora FIOCRUZ
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
314 p., Contents: Entre a riqueza natural, a pobreza humana e os imperativos da civilização, inventa-se a investigação do povo brasileiro / Jair de Souza Ramos, Marcos Chor Maio -- Raça, doença e saúde pública no Brasil : um debate sobre o pensamento higienista do século XIX / Marcos Chor Maio -- Mestiçagem, degeneração e a viabilidade de uma nação : debates em antropologia física no Brasil (1870-1930) / Ricardo Ventura Santos -- Crânios, corpos e medidas : a constituição do acervo de instrumentos antropométricos do Setor de Antropologia Biológica do Museu Nacional no fim do século XIX-início do século XX / Guilherme José da Silva, et al. -- "Estoque semita" : a presença dos judeus em Casa-grande & senzala / Marcos Chor Maio -- Cientificismo e antirracismo no pós-2a Guerra Mundial : uma análise das primeiras declarações sobre raça da Unesco / Marcos Chor Maio, Ricardo Ventura Santos -- Antropologia, raça e os dilemas das identidades na era da genômica / Ricardo Ventura Santos, Marcos Chor Maio -- No fio da navalha : raça, genética e identidades / Ricardo Ventura Santos, Maria Cátira Bortolini, Marcos Chor Maio -- A cor dos ossos : narrativas científicas e apropriações culturais sobre "Luzia," um crânio pré-histórico do Brasil / Verlan Valle Gaspar Neto, Ricardo Ventura Santos -- Política de cotas raciais, os "olhos da sociedade" e os usos da antropologia : o caso do vestibular da Universidade de Brasília / Marcos Chor Maio, Ricardo Ventura Santos -- Política social com recorte racial no Brasil : o caso saúde da população negra / Marcos Chor Maio, Simone Monteiro.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
316 p., An ethnography of Afro-Brazilian religious traditions including Candomble shows that the lines separating one tradition from another are much less fixed than anthropologists and Afro-Brazilian religious elites have maintained.
Klein,Herbert S. (Author) and Luna,Francisco Vidal (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
New York: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., Although Brazilians have incorporated many of the North American debates about slavery, they have also developed a new set of questions about slave holding: the nature of marriage, family, religion, and culture among the slaves and free colored; the process of manumission; and the rise of the free colored class during slavery. It is the aim of this book to introduce the reader to this latest research, both to elucidate the Brazilian experience and to provide a basis for comparisons with all other American slave systems.
This article discusses different views about sustainable development, emphasizing -- on the basis of a survey conducted in Brazil, Mexico, and Cuba -- the role of rural women in food production and natural resource management, the strength of the rural women's movement in the conquest of rights, and the decisive participation of women in defining proposals for public policies that guarantee gender equality in rural areas. A brief comparative analysis leads us to conclude that the development model in the three countries still prioritizes the male figure in relation to land tenure, access to credit and purchase of equipment or other material resources, it is suggested that both in Cuba, a socialist country, and in Mexico and Brazil, capitalist counties, the assumptions of social policies directed to rural female workers should take into account the basic needs of rural women to guarantee a more humane and sustainable development. Adapted from the source document.
Jackson: University Press of Mississippi Jackson, MS, United States
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Brazilian berimbau, a musical bow, is most commonly associated with the energetic martial art/dance/game of capoeira. But the instrument has played a prominent role in several genres of Brazilian music from the 1950s to the present, including bossa nova, samba-reggae, música popular brasileira (MPB), electronic dance music, Brazilian art music, and more. Berimbau music spans oral and recorded historical traditions, connects Latin America to Africa, juxtaposes the sacred and profane, and unites nationally constructed notions of Brazilian identity across seemingly impenetrable barriers. The berimbau is discussed beyond the context of capoeira, exploring the bow's emergence as a national symbol. It engages and analyzes intersections of musical traditions in the Black Atlantic, North American popular music, and the rise of global jazz.
