A graduate of Howard University and the Wharton School of Business in Philadelphia, Crenshaw currently serves as vice president for economic development of the Washington, D.C.-based Organization of Africans in the Americas (OAA). Founded nearly six years ago as a support group, OAA functions as a resource and referral center of data, service and empowerment of Africans in the Americas. Nevertheless, Franklin is eager to point an emerging Black movement across Latin America that is battling to become a part of the political and economic process of the region. "We are now working very hard to ensure that genuine changes are brought about, especially as they affect the lives of the millions of Blacks in Latin America," the OAA executive director said. Some of those changes include linking Black Latin students and other aspiring small entrepreneurs with the Howard University Small Business Center in northwest Washington, D.C. "We are working to develop sustainable linkages between Blacks in America and Blacks in Latin America," said Crenshaw, who noted that Howard already has a growing number of Black Latin American students.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
661 p., Focuses on the diffusion of Cuban popular musical styles throughout the Americas as well as the creation of new hybrids in places such as Puerto Rico, the Dominican Republic, Mexico, Colombia, Venezuela and Latin New York. Students, scholars and librarians will find Baila! to be an essential resource on Afro-Latin music and dance, language, literature, aesthetics, and more.
Animan Akassi,Clément (Editor) and Lavou,Victorien (Editor)
Format:
Book, Edited
Language:
Spanish, English, and French
Publication Date:
2010
Published:
Perpignan: Presses universitaires de Perpignan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p., Contents include "The africans and afrodescendants who constructed Veracruz and the jarocho ethos 1521-1778" by Marco Polo Hernàndez-Cuevas; (Re)presentacién afro-panameria en pensamientos del negro cubena: pensamiento afro-panameûo de Carlos Guillermo 'Cubena' Wilson" by Laverne M. Seales-Saley; "Mâs allâ del 'folklore': bunde y bullerengue, ritmos africanos de liberacién en Panamà" by Xiomara Aldeano-Bolton; "Repensando los movimientos sociales afrodescendientes en las Américas y el espacio Caribe" by Jesiis "Chucho" Garcia; "Negrismo and négritude: reflection on two poetics of Caribbean cultural identity" by Mamadou Badiane; "Politicas culturales, la formacién de la identidad hispano-africana y el hombre y la costumbre" by Elisa Rizo; "Movimientos culturales y politicos Afroperuanos entre los arios 1980-2000" by Alexis Rossemond;
Blacks and Latinos have numerous historical connections. The moors of North Africa occupied Spain from about 700-1400 A.D., about the time of the Spanish King Ferdinand and Queen Isabella. Additionally, the slave trade which began with [Henry Louis Gates] the Navigator flourished from the 1440s, taking Africans into Portugal and Spain as servants. Many conquistadors of the New World brought with them free men of African ancestry. Finally, the Transatlantic Slave Trade sealed Afro-Hispanic connections as slaves intermingled voluntarily and involuntarily with their captors, creating variations in our color palate. Thus, our connections are longstanding. My point is that the African Diaspora experience, as was evidenced on Oscar night, is diverse and includes influences of blacks in Europe, Africa and all the Americas and the Caribbean. There are strands of the Diaspora in the Middle East, including Arab nations, and in places as unlikely as Mexico and China. So, blacks in America must begin to embrace our global heritage and we must also learn that our experiences are not superior but mere pieces of a wider tapestry of "colors." All are worth celebrating, researching and understanding. We are one great people cast to the winds by emigration and immigration, historical slavery, war, racial mixing and chance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p., By looking at this history from the vantage point of black America and the Caribbean, a more complex story comes into focus, one largely missing from traditional narratives of baseball's history. Raceball unveils a fresh and stunning truth: baseball has never been stronger as a business, never weaker as a game.