Reviews books on Afro-Hispanic and Caribbean literature. Includes The Empire Writes Back: Theory and Practice in Post-Colonial Literatures, by Bill Ashcroft, Gareth Griffiths and Helen Tiffin; Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook, edited by Daryl Cumber Dance; Nicolas Guillen: Popular Poet of the Caribbean, by Ian Isidore Smart.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Poesía negra en Colombia; Based on the author’s thesis (doctoral--Indiana University) entitled La poesía negra en Colombia a través de la obra de Candelario Obeso.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
Kuwabong suggests that both Lorna Goodison's and Claire Harris's poetic of matrilineage survives on their positive representation of the mother-daughter relationship, which ideologically borders on the Caribbean concept of a daughter becoming her mother
