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    Start Over Subject Term Black culture Subject Term Music Subject Term Theater

    1. Hallelujah! Former Desmond's star Ram John Holder appears in a musical about the life of Christ -- Caribbean style

    <span class="translation_missing" title="translation missing: en.bibleaves.discover_item">Discover Item</span>
    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Pinkerton,Lee (Author)
    Format:
    Newspaper Article
    Publication Date:
    1999-10-04
    Published:
    London, UK
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    The Voice
    Journal Title Details:
    877 : 49
    Notes:
    It ran for more than six years and playing one of [Desmond]'s barbershop cronies was a highlight of [Ram John Holder]'s long career. "It only had half of the audience of Desmond's, but it had much bigger audiences than the shows they replaced it with." In it, the colourful and exuberant traditions of Trinidad's Carnival provide the setting for a stage event which transforms Handel's Messiah into an musical combining song, dance and spectacle with the spirit of Caribbean storytelling.

    2. Local theater troupe wants to help unite Blacks, Haitians

    <span class="translation_missing" title="translation missing: en.bibleaves.discover_item">Discover Item</span>
    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Brown,Melissa N. (Author)
    Format:
    Newspaper Article
    Publication Date:
    Sep 15-Sep 21, 2004
    Published:
    Miami, FL
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Miami Times
    Journal Title Details:
    3 : 1A
    Notes:
    "[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."

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