Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
76 p., This preliminary Belizean racial project connects how Black identity was used as a political platform through a Pan-African framework to overthrow colonialism and neo-colonial aspects of what developed into a contemporary nationalist outlook. This project utilized a subjective outlook derived from historiographical materials, memoirs, periodicals and journal articles to show how Black collectivity as a tool for liberation (Pan-Africanism) was used as a racial project and later developed into a national project in Belize.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
710 p, Examines the economic history of the Caribbean in the two hundred years since the Napoleonic Wars and is the first analysis to span the whole region. Its findings challenge many long-standing assumptions about the region, and its in-depth case studies shed new light on the history of three countries in particular, namely Belize, Cuba, and Haiti"
Case studies demonstrate how countries in the same region can develop health care policies that represent different biomedical and sociocultural outcomes. For example, Cuba's policies result in the lowest HIV/AIDS prevalence rates in the Caribbean, whereas Belize experiences the second highest rates.
284 p., The Garifuna are a diasporic community that positions Yurumein (St. Vincent) at the center of its collective memory, and whose populations primarily reside in Belize, Guatemala, Honduras, Nicaragua, and, more recently, in urban centers in the United States. This multi-sited, historio-ethnographic study traces the group's socio-political struggles over time and space against cultural dislocation, ethnic oppression, and culturally destructive forces.
cai; Text in English, Creole, Spanish, and Garifuna.
Publication Date:
2007
Published:
Lanham, MD: University Press of America
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
129 p, This anthology utilizes the predominant themes of western literature to chronicle the prose and poetry of Belize. The editor has selected the original works of Belizean writers written in the four principle languages of the country: English, Creole, Spanish, and Garifuna. Via the many genres of Belizean literature, the work is able to recount in depth the history, struggles, colonial exploitation, and myths of the Belizeans as they strive for freedom and as they search for their identity.
Jenkins,Carol (Author) and Jenkins,Travis (Author)
Format:
Sound Recording
Language:
$geng
Publication Date:
2007
Published:
New York: Ethnic Folkways Records
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Recorded by Carol and Travis Jenkins in Belize in 1981., 1 sound disc (50 min.) : digital ; 4 3/4 in., Songs and dances for the ancestral feast, Dabuyabarugu ; sung in Garifuna (Black Carib) with acc. of traditional percussion instruments.