One of the things attracting tourists has taught us is to value the habit of preservation. We have to depend on devoted scholars and archeology diggers and always, tenacious individuals like Dr. Walter Roth. He was a medical man of German stock who moved to Guyana by way of Australia and was the moving spirit in the rise of Georgetown's museum of natural history. As a youth I made many trips to this museum and was fascinated by its presentation and displays; for instance the diorama of gold-digging operations in the far interior, the lighted fish tanks with fish such as the blood-thirsty pirai, a lifelike representation on the wall of the world's biggest freshwater fish, the arapaima, caught in Guyana. A huge live anaconda pans have all but vanished.
AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
Collectively, these works, done in a burned-looking technique called 'soleil brulé', spell out Haiti. While visiting his daughters, who live in Inverrary, TIGA proudly displayed stacks of the paintings - each different and haunting, each either spiritual or personal portrayals of Haitian vodou gods and goddesses or his beloved relatives. Haiti through the lens of a camera is portrayed in "Haiti: Land of Contrasts," from May 7 to 29, at the African American Research Library and Cultural Center in Fort Lauderdale. It features the images of Roberto Stephenson, author of Les Interiors d'Haiti, and Daniel Kedar, whose books include Reflections, Haiti from Above, and Portrait of a Country. The final event of the month takes place at 7 p.m. on May 22 at the Broward County Main Library, when Dr. Alex Stepick will speak on "Perception of the Haitian Profile." He'll be followed by another lecturer, Terry Rey of Florida International University, who'll discuss "Religion and Politics in Haitian History."
Artist [Guy S. Fleury] began to to paint at the age of 12. After emigrating to the United States in 1970, he painted consistently until 1974. Fleury studied Haitian art and history with notable Haitian artist Wilfrid Austin, known as "Frido." He also studied the fine art and is strained in art restoration and expert framing. Each of Fleury's paintings has a unique touch and it is very difficult to recognize his paintings unless you are very familiar with the painter himself. Fleury remains true to his images of Haitian subjects but not in a typical or traditional way. Fleury paints scenery of his native town of St. Marc depicting personage, way of life - the coumbite, historical events, spiritualism, traditional values, etc.
Gazing at the amalgam of rich Caribbean artistic expression - bold colors intertwining on canvas, delicately woven wire sculptures, sheer pieces of cloth with intricate handmade designs - one might think she was roaming the corridors of the Metropolitan Museum of Art or the prestigious Guggenheim rather than viewing the one-bedroom Harlem apartment of Caribbean art dealer Anderson Pilgrim. "One of the reasons that Caribbean art has yet to penetrate the New York scene is that it has yet to be fully explored even among Caribbeans", Pilgrim said. "Because of the colonization of the Caribbean islands, and the stifling post-colonial effects, many native Caribbeans didn't begin to explore their abilities until the 1970s, which was a period of real artistic revolution on the islands". A few of the artists he represented were medal winners at the prestigious Biennial Caribbean Festival, held in the Dominican Republic and featuring artists from the Caribbean and Countries in Central America which border the Caribbean.
In 1984, the association opened an expanded Historical Museum at the Miami-Dade Cultural Center in downtown Miami. This 40,000-square-foot facility includes a permanent exhibition that traces the history of South Florida and the Caribbean, a temporary exhibition gallery that features several new exhibitions each year, a theater and classroom area for variety of educational programs, and storage areas for the museum's extensive collections of artifacts and archival materials, including books, manuscripts, maps and more than one million photographs related to the region. In recent year, the Historical Museum has directed increasing attention to Miami's role as a gateway of the Americas. To explore Miami's multifaceted connections with the Caribbean and Latin America, a new program series, Miami: The Gateway City, was introduced in Spring 1999. The objective of the 12-month series is to use the museum as a central forum for public dialogue about current issues facing Miami and as a space for related artistic presentations.
398 p., U.S. American literary and creative artists perform the work of developing a discursive response to two critical moments in Haitian history: the Revolution (1791-1804) and the U.S. Marine Occupation (1915 to 1934), inspiring imaginations and imaginary concepts. Revolutionary images of Toussaint Louverture proliferated beyond the boundaries of Haiti illuminating the complicity of colonial powers in maintaining notions of a particularized racial discourse. These productive literatures and art forms actively engage in creating the transnational ideal of diaspora as we understand it today.
More than two hundred Haitian artists came together at "Russo's On the Bay" in Queens, New York on June 5th, 2005. They came from Haiti, Canada and throughout the USA. Namely painters, dancers, musicians, gospel singers, writers and poets, they came to celebrate the birth of the United Haitian Artists' Foundation. It was a glamorous endeavor with excited people of Haitian culture, united in their noble and national mission to bring about awareness, growth and excellence to Haitian artists as a whole, and to the world at large.
