African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
127 p, Contents: Two people lived in me / C.L.R. James -- As time goes by / Samuel Selvon -- Sandra Street / Michael Anthony -- Bitter choice / Clifford Sealy -- Preacher / George Lamming -- Cricket / Edward Brathwaite -- Reckoning / Jan Carew -- Tacama / Edgar Mittelholzer -- Hurricane / John Hearne -- Visitor / H. Orlando Patterson -- New boy / V.S. Reid -- Death / Mervyn Morris -- House in another country / Neville Dawes.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
447 p., Over the last few decades Caribbean writers - performance poets, newspaper poets, singer-songwriters - have created a genuinely popular art form, a poetry heard by audiences all over the world. At the same time, even at its most literary, Caribbean poetry shares the vigour of the oral tradition. Writers like Nobel Prize winner Derek Walcott, and many other exciting new voices, are exploring ways of capturing the vitality of the spoken word on the page. Both of these traditions are represented in this lively anthology, which traces Caribbean verse from its roots to the present.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
335 p., An anthology of Caribbean poetry from the West Indies and Britain. It features selections of work by 14 poets, with interviews, photographs and essays. Authors: Louise Bennett (b. 1919) -- Martin Carter (b. 1927) -- Derek Walcott (b. 1930) -- Edward Kamau Brathwaite (b. 1930) -- Dennis Scott (b. 1939) -- Mervyn Morris (b. 1937) -- James Berry (b. 1924) -- E.A. Markham (b. 1939) -- Olive Senior (b. 1943) -- Lorna Goodison (b. 1947) -- Linton Kwesi Johnson (b. 1952) -- Michael Smith (1954-83) -- Grach Nichols (b. 1950) -- Fred D'Aguiar.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Afro-American folktales. c1985., 327 p, These tales range from the earthy comedy of tricksters to stories explaining how the world was created and got to be the way it is, to moral fables that tell of encounters between masters and slaves. They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
495 p., Investigates the diverse poetic manifestations of a sensibility that may be designated as French Caribbean through a close reading of a representative sample of poems. Many are presented here in translation for the first time. Contents: Marie-Magdeleine Carbet -- Léon-Gontran Damas -- Aimé Césaire -- Edouard Glissant -- Guy Tirolien -- Yves Padoly -- Joseph Polius -- Gilette Bazile, Marcelle Archelon-Pépin, Michèle Bilavarn.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
704 p., The Poetry of Slavery is the first book to collect the most important works of poetry generated by English and North American slavery. Mixing poetry by the major Anglo-American Romantic poets (Blake, Coleridge, Wordsworth, Shelley, Keats, Whittier, Longfellow, Lowell, Whitman, Melville,Dickinson) with curious, and sometimes brilliant verse by a range of now forgotten literary figures, the anthology is designed to aid students and teachers address the Anglo-American cultural inheritance of slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p., Brings together a contemporary selection in English from some of the key writers now living in Canada, the US, and the UK, as well as various countries of the Caribbean. Reflecting a changing world, and admitting diverse cultural influences and generational differences, these writers maintain a distinct Caribbean-ness in their acute historical awareness and in the cadences and rhythms of their language.
