West African powers in the Caribbean have often been studied as important cultural and religious formations. This article treats them as ontological formations by collapsing the modern opposition between reason/knowledge and power/force. The distinction between the "knowing" West anchored in a unified scientific reason and the "believing" Rest who trust in many cultures is therefore refused. With the above prerequisite in mind, a new approach to creolization, termed "tukontology," is deployed to reveal a Kuhnian type paradigm shift in the war-medicine of blacks on British West Indian plantations between 1645 and emancipation in 1838.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
489 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, "A reprint of this extensive study of Afro-Cuban music examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics. It must be studied in conjunction with Ortiz's Los bailes y el teatro de los negros en el folklore de Cuba (1993) and Los instrumentos de la música afrocubana (1995), both of which have been reprinted. The three works have also been reprinted in Spain (Madrid: Editorial Música Mundana Maqueda, 1997)"--Handbook of Latin American Studies, v. 58.
Studies paralinguistic, pragmatic, and discourse markers of "kiss-teeth" by mapping the distribution of the gesture and its names and exploring previously unresolved problems of their meanings and use
