Studies paralinguistic, pragmatic, and discourse markers of "kiss-teeth" by mapping the distribution of the gesture and its names and exploring previously unresolved problems of their meanings and use
"The contributions of a number of First and Third World scholars to the development of the anthropology of the African diaspora in Latin America and the Caribbean have been elided from the core of the discipline as practiced in North America and Europe. As such, the anthropology of the African diaspora in the Americas can be traced to the paradigmatic debate on the origins of New World black cultures between Euro-American anthropologist Melville J. Herskovits and African American sociologist E. Franklin Frazier." (AR Journals Annual Reviews)
Group AFROCUBA de Matanzas, one of Cuba's most acclaimed folklore groups, is one of the few troupes who showcase the wide diversity of African cultures that survive on the island. The group was founded in 1957 in the city of Matanzas, which is considered the prime repository of African culture in Cuba. AFROCUBA is comprised of 19 very talented drummers, dancers and singers, some of whom display talent in each discipline. Even their government representative, Ileana Hernandez, is a talented singer and dancer. Francisco Zamora Chirino, affectionately known as "Menini" has been the troupe's director for a number of years. The dancers include Julia Zulima Echeoana, Antonio Figueroa, Juan Carlos Golbelm, and Leniel Perez. The percussionists include Osmudo Barbaro Aldazabal, Franciso Dominquez Boada, Reynaldo Gobel, Enrique Mesa, Oluis Cancino Morales, and Pedro Abelle Torrente. The singers include Bertina Aranda, Sara Gobel, and Amparo Rodriquez. Of special note are Maria Dolores Perez and Regla "Pola" Perez, whose sister Ana is the featured dancer with Matanzas "other word famous troupe, Los Munequitos, dancer Reynaldo Gonzalez, and Rameses Zamora, "El Professor," who is a music professor at the University of Matanzas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
279 p, A comprehensive description of the West African language of Yoruba as it has been used on the island of Trinidad in the southern Caribbean. The study breaks new ground in addressing the experience of Africans in one locale of the Africa Diaspora and examines the nature of their social and linguistic heritage as it was successively retained, modified, and discarded in a European-dominated island community.
