Using data from the public use microdata sample of the 1990 U.S. census, we examine the socioeconomic attainment patterns of Africans in the United States, within the context of the assimilation and selectivity perspectives. Three primary findings emerge from this study. First, we find that white African men and men from English-speaking Africa have higher net hourly earnings than their nonwhite and non-English-speaking counterparts. Second, we find that while South African men have higher net hourly earnings than men from a number of selected African countries, there is no statistically significant difference between the net hourly earnings of South African women and women from these selected African countries. Third, we find no statistically significant difference between the net hourly earnings of black African and black American men and women. [ABSTRACT FROM AUTHOR];
Heywood,Linda M. (Author) and Faustino,Oswaldo (Author)
Format:
Book, Whole
Language:
Portuguese
Publication Date:
2008
Published:
São Paulo: Editora Contexto
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Portuguese translation of Linda Heywood, Central Africans and cultural transformations in the American diaspora selections (New York: Cambridge University Press, 2002)., 222 p., Studies the importance of Central African culture to the cultures of the Americas since the Atlantic slave trade. Focusing on the Kongo/Angola culture zone, the book illustrates how African peoples re-shaped their cultural institutions as they interacted with Portuguese slave traders up to 1800, then follows Central Africans through all the regions where they were taken as slaves and recaptives.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
423 p., Focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history. Includes Judith M. Williams' "Néritude as performance practice: Rio de Janeiro's Black experimental theatre," Richard Follett's "The spirit of Brazil: football and the politics of Afro-Brazilian cultural identity," Dorothea Fischer-Hornung's "Transbodied/transcultured : moving spirits in Katherine Dunham's and Maya Deren's Caribbean," Elvira Pulitano's "Re-mapping Caribbean land(sea)scapes: aquatic metaphors and transatlantic homes in Caryl Phillips's The Atlantic sound," and Antoinette Tidjani Alou's "Marine origins and anti-marine tropism in the French Caribbean: André and Simone Schwarz-Bart."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
433 p., Based on Spanish and Maya language documents from the 16th through 19th centuries, examines the lives of black African slaves and others of African descent, exploring topics such as slavery and freedom, militia service, family life, witchcraft, and other ways in which Afro-Yucantecans interacted with Mayas and Spaniards.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
292 p., Definitive information on the identity and status of the emancipados who were a special group of Africans in Brazil, Cuba and Latin America. The author establishes that the peculiar nature of the introduction of the emacipados into Brazil and America made them free Africans, both de jure and de facto, thereby setting them apart from freed Africans or slaves in Brazilian and Cuban societies. Emancipados held a much better status within these societies.
Falola,Toyin (Editor), Afolabi,Niyi (Editor), and Adesanya,Aderonke A. (Editor)
Format:
Book, Edited
Publication Date:
2008
Published:
Durham, N.C.: Carolina Academic Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
492 p., Includes Akintunde Akinyemi's "Transnational displacement and cultural continuity : the survival of Yorùbá religious poetry in the Americas," Niyi Afolabi's "Milton Nascimento's Missa dos Quilombos: musical invocation, race, and liberation," Christopher Adejumo's "Migration and slavery as paradigms in the aesthetic transformation of Yoruba art in the Americas," Ann Albuyeh's "'Africa speaks in me': how the diaspora shaped the languages of the Caribbean, then and now," Raphael Chijioke Njoku's "Symbols and meanings of Igbo masquerades and carnivals of the Black diaspora," and Ray A. Kea's "Religion, texts, and conversion in the eighteenth-century Danish West Indies : questions of self-identity and self-determination."
