Okpewho,Isidore (Editor) and Nzegwu,Nkiru (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Bloomington, IN: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
531 p., Traces the immigrants' progress from expatriation to arrival and covers the successes as well as problems they have encountered as they establish their lives in a new country. Includes Georges E. Fouron's "I, too, want to be a big man" : the making of a Haitian "boat people"; John A. Arthur's "Immigrants and the American system of justice: perspectives of African and Caribbean Blacks"; and Perry Mars' "The Guyana diaspora and homeland conflict resolution."
Heywood,Linda M. (Author) and Faustino,Oswaldo (Author)
Format:
Book, Whole
Language:
Portuguese
Publication Date:
2008
Published:
São Paulo: Editora Contexto
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Portuguese translation of Linda Heywood, Central Africans and cultural transformations in the American diaspora selections (New York: Cambridge University Press, 2002)., 222 p., Studies the importance of Central African culture to the cultures of the Americas since the Atlantic slave trade. Focusing on the Kongo/Angola culture zone, the book illustrates how African peoples re-shaped their cultural institutions as they interacted with Portuguese slave traders up to 1800, then follows Central Africans through all the regions where they were taken as slaves and recaptives.
Falola,Toyin (Editor), Afolabi,Niyi (Editor), and Adesanya,Aderonke A. (Editor)
Format:
Book, Edited
Publication Date:
2008
Published:
Durham, N.C.: Carolina Academic Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
492 p., Includes Akintunde Akinyemi's "Transnational displacement and cultural continuity : the survival of Yorùbá religious poetry in the Americas," Niyi Afolabi's "Milton Nascimento's Missa dos Quilombos: musical invocation, race, and liberation," Christopher Adejumo's "Migration and slavery as paradigms in the aesthetic transformation of Yoruba art in the Americas," Ann Albuyeh's "'Africa speaks in me': how the diaspora shaped the languages of the Caribbean, then and now," Raphael Chijioke Njoku's "Symbols and meanings of Igbo masquerades and carnivals of the Black diaspora," and Ray A. Kea's "Religion, texts, and conversion in the eighteenth-century Danish West Indies : questions of self-identity and self-determination."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
423 p., Focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history. Includes Judith M. Williams' "Néritude as performance practice: Rio de Janeiro's Black experimental theatre," Richard Follett's "The spirit of Brazil: football and the politics of Afro-Brazilian cultural identity," Dorothea Fischer-Hornung's "Transbodied/transcultured : moving spirits in Katherine Dunham's and Maya Deren's Caribbean," Elvira Pulitano's "Re-mapping Caribbean land(sea)scapes: aquatic metaphors and transatlantic homes in Caryl Phillips's The Atlantic sound," and Antoinette Tidjani Alou's "Marine origins and anti-marine tropism in the French Caribbean: André and Simone Schwarz-Bart."
Discusses the issue of slavery experienced by the Blacks in Latin America. He explores the slave life experienced by the Black community as well as examines the role of gender, culture and ethnicity in evaluating the narrative of slavery and freedom in the country.
Obiakor,Festus E. (Author) and Grant,Patrick A. (Author)
Format:
Book, Whole
Publication Date:
2005
Published:
Huntington, NY: Nova Science Pub
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p, Foreign born African Americans frequently find themselves in precarious situations. They confront three intriguing questions: How Black are they? How much racism do they endure? How do they survive in spite of the odds? In reality, they are Blacks who are Black enough to encounter problems that other Blacks in America experience. However, they also understand that they must succeed in a competitive complex society like America. On the one hand, they are grateful to be in America; but on the other hand, they wonder why they must cross so many rubicons to achieve their goals.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
225 p, Explores the persistence of African ethnic identity among the enslaved in North America, the Caribbean, and South America over four hundred years of the Atlantic slave trade. Investigates such issues as who profited from the Atlantic slave trade, how Africans were defined and named by slave traders, and how the enslaved identified themselves. Traces the linguistic, economic, and cultural ties shared by large numbers of enslaved Africans
Talks about the Antillean waltz and the island where it originated, the Curaçao. Discussion on creolization; Details of music and dance as venues for creolization among Africans aboard a slave ship; Social hierarchy in the island during the eighteenth century.;
