The Organization of Africans in the Americas, a Washington DC-based organization, will sponsor a symposium entitled "Afro-Latinos and the Issue of Race in the New Millennium."
The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Winner of the 1978 National Book Critic's Circle Award for fiction., 305 p., The lives of 5 people, black and white, servant and millionaire, are entertwined. The setting is a Caribbean island. A visitor, young Jadine, neice of the butler and his wife and protegee of the Streets, educated at the Sorbonne, comes home for a visit from Paris. Son, black American street man breaks into the house and all lives are changed. Jadine and Son come together and strive to hold and understand each other as backgrounds and cultural circumstances come into play.
The examination of Leonora Miano's work offers a great example of how, through literature, a new form of Negritude could be identified. This paper intends to highlight her American (including Caribbean) literary inspirations and how the rising Franco-Cameronese novelist has compounded them with her African upbringing and family ties which allows her to reflect on what she calls "Afropeaness".
238 p., Focuses on a strand of fiction and performance whose ambitious aesthetic aims both work within radical ethnic movements and exceed the identitarian strictures associated with these movements. Black Arts/Black Power, the American Indian Movement (AIM), and the multiethnic Third World Strike were profoundly transnational and cross-racial in their theory and practice. Shows how writers working within and after these movements developed experimental forms and figures that navigate between particular ethnic identities and a universalizable collective political subject. Drawing on a long-standing body of work that has shown the inseparability of politics and aesthetic form, I place revolutionary nationalist aesthetics in dialogue with a recent theoretical tradition that has reimagined universalist politics. Traces collaborations between Henry Dumas and Sun Ra, whose play with ontological categories does not easily fit Black Arts's strongly racialized context, through the fraught relationship between Leslie Marmon Silko's Ceremony and AIM's political theater, to more recent retrospective accounts of nationalist movements by Karen Tei Yamashita and Jamaican novelist and anthropologist Erna Brodber.
Colburn,David R. (Author) and Landers,Jane (Author)
Format:
Book, Whole
Publication Date:
1995
Published:
Gainesville: University Press of Florida
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
392 p, Africans participated in all the Spanish explorations and settlements in Florida, as they did throughout the Spanish Americas. In Florida they helped establish St. Augustine and the free black community of Gracia Real de Santa Teresa de Mose. Africans and African Americans fought in the many conflicts that wracked Florida, including the three Seminole Wars and the Civil War. Despite the oppressions of slavery and segregation, black Floridians struggled to establish their own communities, combat racism and economic deprivation, and negotiate the terms of their labor. Against overwhelming odds, they helped develop communities like Jacksonville, Tampa, and Miami, and they served as the critical labor force for the state's citrus, agricultural, and timber industries. For centuries, however, their heritage has been ignored. These twelve essays examine the rich and substantial African American heritage of Florida, documenting African American contributions to the state's history from the colonial era to the late twentieth century. (www.upf.com);
