African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
189 p., This volume provides a basic introduction to the study of religion and theology in the Latino/a, Black, and Latin American contexts. Chapters include Latin American liberation theology -- Black liberation theology -- Latino/a theology: to liberate or not to liberate? -- African diaspora religion.
164 p., Traces the journey of blacks from the Middle Passage through urban migration northward in black fiction. Argues that the historical use of religious rhetoric is transcended in black writing of the 20th century in order to recast black victimization during slavery, counter the progress of turn-of-the-century white supremacy, and chronicle the rise of economic racism which created the 20th century black ghetto. The religious doctrines discussed in this study include Puritan missionizing and heretical purges in I, Tituba, Black Witch of Salem , the social work of the Catholic church in Contending Forces: A Romance Illustrative of Negro Life North and South , and the cultural intensity of the Pentecostal/Apostolic church in Go Tell It on the Mountain.
Examines differences in reports of spirituality among African Americans, Caribbean Blacks and non-Hispanic Whites using data from the National Survey of American Life. African Americans were most likely to endorse statements regarding the importance of spirituality in their lives and self-assessments of spirituality, followed by Caribbean Blacks and non-Hispanic Whites. African Americans and Caribbean Blacks had significantly higher levels of spirituality than did non-Hispanic Whites. However, there were no significant differences in spirituality between African Americans and Caribbean Blacks.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
330 p., Explores the impact of the great Orishas (Yoruba: "deities") of the crossroads, Eshu-Elegguá , on the thriving literary and visual arts of the African diaspora. Eshu-Elegguá are multiple figures who work between physical and spiritual realms, open possibilities, and embody unpredictability and chance. Analyzes the texts Mumbo Jumbo (Ismael Reed, 1972), Sortilégio: Mistério Negro (Abdias do Nasicmento, 1951), Chago de Guisa (Gerardo Fulleda León, 1988), Brown Girl in the Ring (Nalo Hopkinson, 1998), Midnight Robber (Nalo Hopkinson, 2000), and Wide Sargasso Sea (Jean Rhys, 1966). The objective is to explore the aesthetic codes and philosophies that the figures of Eshu-Elegguá carry into the texts; trace their voices across multiple forms of cultural expression; and navigate the dialogues that these intermediary figures open between a group of literary texts that have not yet been studied together.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
216 p, A history of the Black Church as it developed both in the United States and the Caribbean after the arrival of enslaved Africans. Examines the parallel histories of these two strands of the Black Church, showing where their historical ties remain strong and where different circumstances have led them down unexpectedly divergent paths.
Goldschmidt,Henry (Author) and McAlister,Elizabeth A. (Author)
Format:
Book, Whole
Publication Date:
2004
Published:
New York: Oxford University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
338 p, Includes Elizabeth McAlister's "The; Jew in the Haitian imagination: a popular history of anti-Judaism and proto-racism"; John Burdick's "Catholic Afro mass and the dance of eurocentrism in Brazil"; and Kate Ramsey's "Legislating 'civilization' in postrevolutionary Haiti"
Glen reviews "The History of Early Methodism in Antigua: A Critique of Sylvia R. Frey and Betty Wood's Come Shouting to Zion: African American Protestantism in the American South and British Carribean to 1830 (University of North Carolina Press, 1998).;
