African Consciences is a Parisian based initiative of artistes from the `Black Atlantic' and Africa. They use music to shape a discourse on their identity in relation to Africa, strongly bound to consciousness. The musical itinerary provided by reggae and hip hop constitutes what they see as a means for action to bring alive a "global African network". In this chapter I will reconsider the practice of repatriation, and the meanings it conveys now. I will try to analyse it through African Consciences' "Door of no Return" where they intend to travel back the road of the trans Atlantic trade in Africans. African Consciences has a mediated relation to Africa through roads that join their musical practice to their understanding of African history and tradition. It also carries an ideological intent to bring forth a global Africa through the articulation of routes and roots. [ABSTRACT FROM AUTHOR].
Kwanzaa, an African-American holiday which celebrates family, community, and culture, is the fastest growing holiday in the U.S. An estimated 18 million Africans celebrate KWANZAA each year around the world, including celebrants in the U.S., Africa, the Caribbean, South America, especially Brazil, Canada, India, Britain and numerous European countries. Kwanzaa as an African-American holiday belongs to the most ancient tradition in the world, the African tradition. Drawing from and building on this rich and ancient tradition, Kwanzaa makes its own unique contribution to the enrichment and expansion of African tradition by reaffirming the importance of family, community, and culture. The Seven Principles of Kwanzaa. The central reason Kwanzaa is celebrated for seven days is to pay homage to The Seven Principles of Kwanzaa which in Swahili are: Umoja, Kujichagulia, Ujima, Ujamaa, Nia, Kuumba, and Imani. The principles are also known as The Seven Principles of African American community development and serve as a fundamental value system.
333 p., Examines both historical and contemporary attempts by the people of Ouidah, Benin Republic in West Africa and in the Caribbean country of Haiti to confront and reconcile their relationship via the transatlantic slave trade. Oral and visual narrative have been central to this process as people represent, reflect and interpret a past that is fraught with gaps, silences and erasures. Proposes that the process of remembrance mirrors a traditional rites of passage whereby one lives as part of a community, dies to the past and then is reborn anew in the community. Both Ouidahans and Haitians now occupy a liminal space--an exilic space--in which they struggle to remember a past that was for many years repressed and suppressed.
It's only after Jean-Bertrand was airborne - on a U.S government aircraft - and the genocide had just about run its course, that Mr. Global Panacea himself, George Bush, announced that he was sending marines "...to help bring order to Haiti." He's the same person who, early in the crisis stated that any Haitian refugees who attempted to enter the US would be returned to Haiti. Here in North America it's `tribalism' of another kind; the police call the players "gangs," their issues... "gang violence." [Ooops! I would be remiss if I didn't thank the Bush-Blair tandem, but especially President George Bush, on the first anniversary of that stupendous victory over Iraq - what with it's ominous repertoire of weapons of mass destruction and all. It brought an end to Saddam Hussein's decades-old reign of terror and, more importantly, the "liberation of the Iraqi people..."
AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
Curto,Jose C. (Editor) and Soulodre-LaFrance,Renée (Editor)
Format:
Book, Edited
Publication Date:
2005
Published:
Trenton, NJ: Africa World Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Collection of essays from a conference held at York University, October 12-15th, 2000., 338 p, A collection of scholarly works addressing pertinent themes and using innovative approaches and methodologies to advance research on the "Atlantic World" by demonstrating how the slave trade facilitated the creation of one world where before there had been many. The volume includes several of the leading scholars from Brazil, North America and Africa. The organization of this collection of essays reflects an important structural feature of the slave trade itself. That is its circular nature, departing from Africa, coming to America, and then returning to Africa.
