Studies of political change on Grenada have invariably centred on the activities of T. Albert Marryshow in the period immediately after World War I. Drawing on the rich data available from contemporary newspapers, this paper argues that Donovan's efforts in the late nineteenth and early twentieth centuries provided the impetus and framework for Marryshow's later struggles. In fact, Marryshow himself admits Donovan's contributions to his political growth. The "first of the Federalists", Donovan preached federation long before the concept was fashionable. Embracing a broad approach to the island's situation, both activists linked local demands for change to the plight of Africans worldwide. [PUBLICATION ABSTRACT];
Albany, New York.: State University of New York Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p, Rethinks the social processes that violently refashioned Puerto Rican society in the first half of the twentieth century. Drawing on recent theorizations of post-structuralism, feminism, critical criminology, subaltern studies, and post-coloniality he examines the mechanisms through which colonized subjects become recognized, contained, and represented as subordinate. At issue are the cultural practices that necessarily accompanied and aided U. S. colonialist enterprises in Puerto Rico during a shift in the world capitalist market and in geopolitical hegemony with the Caribbean.
Domenella,Ana Rosa (Author), Godinas,Laurette (Author), and Higashi,Alejandro (Author)
Format:
Book, Whole
Publication Date:
2002
Published:
Mexico City: Universidad Autónoma Metropolitana, Unidad Iztapalapa, División de Ciencias Sociales y Humanidades, Departamento de Filosofía: M.A. Porrua
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
"This book was written by a leading member of the Castro revolution in Cuba. Dreke was the second in command in Africa (behind the legendary Che Guevera) for the export of a similar revolution to that continent." (Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
288 p, Explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. Draws on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature. The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history -- the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
276 p, The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused.
Explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Papers presented at the conference organized by the European Association for Commonwealth Literature and Language Studies held in 2005 in Sliema, Malta., 412 p., Includes Jogamaya Bayer's "Crossing the borders in Monica Ali's Brick lane and V.S. Naipaul's Half a life," Gen'ichiro Itakura's "Jewishness, goyishness, and blackness : Zadie Smith's The autograph man," and Lourdes López-Ropero's "The pleasures of slave food : the politics of creolization in Austin Clarke's Pigtails 'n breadfruit."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
160 p, Twentieth-century Black literary and political figures of the United States and the Caribbean related to Africa in complex and ambivalent ways that did not prevent them from denouncing the social, economic, and political oppressions of the West against Blacks of Africa and its Diaspora from slavery through colonialism and neocolonialism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
92 p, "This lecture surveys the impact that African people have made on world history. Dr. Clarke guides the reader along a narrative journey that spans from antiquity through present times." (Black Classic Press)
Perez Sarduy,Pedro (Editor) and Stubbs,Jean (Editor)
Format:
Book, Edited
Publication Date:
1993
Published:
Melbourne Vic.: Ocean Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Published in association with the Center for Cuban Studies (New York)., 309 p, This anthology looks at the AfroCuban experience through the eyes of the island's writers, scholars and artists. Divided into three sections: The Die is Cast, Myth and Reality and Redrawing the Line, introducing the reader to a wide range of previously unavailable Cuban authors, in which dissenting voices speak alongside established writers, such as Fernando Ortiz.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., With the abolition of the slave trade in 1807 and the emancipation of all slaves throughout the British Empire in 1833, Britain washed its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates Britain continued to contribute to and profit from the slave trade well after 1807, even into the twentieth century. Chapter 4 is about Cuba and Brazil, pp. 83-111.
168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
639 p, Stunning in its sweep, Americas is the most authoritative history available of contemporary Latin America and the Caribbean. From Mexico to Tierra del Fuego, from Cuba to Trinidad and Tobago, Americas examines the historical, demographic, political, social, cultural, religious, and economic trends in the region. (Google);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Alas/ Graciela Rojas Sucre-- Y se hicieron amigos/Alicia Castro Argüello-- Amor de mulata/ Argentina Díaz Lozano-- La sombra de la otra/Victoria Urbano -- El negro/Leonor Paz y Paz -- El penador/ Luisita Aguilera Patiño -- Juan Negro / Dina del Carmen Rodas Jerez --Al negro le pagan por bailar /Matilde Elena López --Siervo de siervos/Rima de Vallbona -- ¿Hombre raro o sensitivo? / Catalina Barrios y Barrios -- ¿Y yo?/ Julieta Pinto -- Amor se escribe con G/ Rosa María Britton -- El horno de la vida / Bertalicia Peralta -- La aristócrata y su mulato /Irma Prego -- El talingo / Consuelo Tomás -- Cuando Claudina camina /Consuelo Tomás -- Hay que tener vergüenza/ Moravia Ochoa López -- El secreto de Lola / Moravia Ochoa López -- El veredicto / María Dávila -- Atrapado / Aída Judith González Castrellón -- El mulato/ Marta Susana Prieto; Includes biblipgraphical references ( 175-186)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
256 p., This book explores the common links and differences between the works of two modern Caribbean poets, Kamau Braithwaite and Dereck Walcott. The study focuses on the engagement of the two with the mythology of the Caribbean's African experience, defining each poet's contribution to the development of modern Caribbean poetics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p, In Blackness in the White Nation, George Reid Andrews offers a comprehensive history of Afro-Uruguayans from the colonial period to the present. Showing how social and political mobilization is intertwined with candombe, he traces the development of Afro-Uruguayan racial discourse and argues that candombe's evolution as a central part of the nation's culture has not fundamentally helped the cause of racial equality. Incorporating lively descriptions of his own experiences as a member of a candombe drumming and performance group, Andrews consistently connects the struggles of Afro-Uruguayans to the broader issues of race, culture, gender, and politics throughout Latin America and the African diaspora generally.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
369 p., Provides a history of Brazilian racial inequality from the abolition of slavery in 1888 up to the late 1980s, showing how economic, social and political changes in Brazil during the last 100 years have shaped race relations. By examining government policies, data on employment, mainstream and Afro-Brazilian newspapers, and a variety of other sources, Andrews traces pervasive discrimination against Afro-Brazilians over time. He draws his evidence from the country's most economically important state, Sao Paolo, showing how race relations were affected by its transformation from a plantation-based economy to South America's most urban, industrialized society.
DeLoughrey,Elizabeth M. (Author), Gosson,Renee K. (Author), and Handley,George B. (Author)
Format:
Book, Whole
Publication Date:
2005
Published:
Charlottesville, VA: University of Virginia Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
303 p, Contents: Sugar and the environment in Cuba / Antonio Benítez-Rojo -- Isla incognita / Derek Walcott -- Shaping the environment : sugar plantation, or life after identured labor / Cyril Dabydeen -- Coffee and colonialism in Julia Alvarez's A cafecito story / Trenton Hickman -- Subjection and resistance in the transformation of Guyana's mytho-colonial landscape / Shona N. Jackson -- A long bilingual conversation concerning paradise lost : landscapes in Haitian art / LeGrace Benson -- "Caribbean genesis" : language, gardens, worlds (Jamaica Kincaid, Derek Walcott, Édouard Glissant) / Jana Evans Braziel -- "The argument of the outboard motor" : an interview with Derek Walcott / George B. Handley -- Cultural and environmental assimilation in Martinique : an interview with Raphaël Confiant / Renée K. Gosson -- Moving the Caribbean landscape : Cereus blooms at night as a re-imagination of the Caribbean environment / Isabel Hoving -- "Rosebud is my mama, stanfaste is my papa" : hybrid landscapes and sexualities in Surinamese oral literature / Natasha Tinsley -- "He of the trees" : nature, environment, and Creole religiosities in Caribbean literature / Lizabeth Paravisini-Gebert -- "Man fitting the landscape" : nature, culture, and colonialism / Helen Tiffin -- Flashbacks of an orchid : rhizomatic narration in Patrick Chamoiseau's Biblique des derniers gestes / Heidi Bojsen -- Landscapes, narratives, and tropical nature : Creole modernity in Suriname / Ineke Phaf-Rheinberger -- The uses of landscape : ecocriticism and Martinican cultural theory / Eric Prieto -- From living nature to borderless culture in Wilson Harris's work / Hena Maes-Jelinek -- Epilogue : Theatre of the arts / Wilson Harris
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
210 p, Comparative study of the Cuban, Nicaraguan and Grenadian revolutions, that despite the unfulfilled promise of all three revolutions, they do suggest that people have the potential to make history and affect positive changes (Biblio.com);
Glissant,Edouard (Author) and Dash,J. Michael (Translator)
Format:
Book, Whole
Language:
eng
Publication Date:
1989
Published:
Charlottesville: University Press of Virginia
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of: Le discours antillais., 272 p., Edouard Glissant's Caribbean Discourse is an unflaggingly ambitious attempt to read the Caribbean and the New World experience, not as a response to fixed, univocal meaning imposed by the past, but as an infinitely varied, dauntingly inexhaustible text.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 p, Discusses key individuals (George Padmore, Eric Williams, C.L.R.James among others) and organizations (particularly Labor and liberation movements)in the Anglophone Caribbean world from the perspective of contemporary political and economic Caribbean realities. Particular attention is paid to the Pan-African Movement and its linking of Black Africa and the diasporic Black world of the British West Indies. Colonial Office policies of the period are discussed along with attempts by local and international economic interests during and after both World Wars to control events and thwart labor and independence movements. African American influence in popular political culture and its political and social effect on organizations in the islands is discussed along with key African American newspapers such as The Crisis, Chicago Defender, The Negro Worker, and the Baltimore Afro-American.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 p., Documents the lives and work of black individuals and organizations in the West Indies from 1900 to 1989, centered on the worlds of labor and black journalism. The French Caribbean is not covered here. Focuses on historical information as well as information on relationships between the two main "servant" minorities of the British Empire: Caribbeans originally from Africa and from India/Pakistan.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p, An interpretation of the life, works, and social context of Jamaican poet McKay (1890-1948), one of the central figures of the Harlem Renaissance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Revision of thesis (Ph.D.)--Rutgers University, New Brunswick., 441 p, Traces the life and career of the Jamaican-born writer, describes his complex personality, and looks at his poetry, fiction, and social criticism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
80 p., Contents: Part One. Creolization: Definitions -- Patterns of Creolization: The whites ; The slaves ; Socialization ; Imitation; Creative ambivalence ; cultural censors ; Submerged mothers ; speech ; Style ; Sex and amorous influences -- The Plural Continuum: Whole and partial societies ; Effects ; The plural society model ; The orientation model ; Alternatives -- Part Two. Cultural Diversity: Overview: The legacy of slavery ; The song and dance of emancipation ; Maroonage -- Europeans -- An analytical diversion -- Afro-Caribbeans: The Afro-Caribbean tradition ; Birth customs ; Markets and food ; Social life and activity -- Post-emancipation complications -- The Chinese -- East Indians -- Inter-culturation: The Indo-creole ; New cultural signals -- Contradictory omens -- Contradictory models.
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health. Thus, through sustained analyses of historical, biomedical and sociocultural currents in the context of eight Francophone novels from 1968 to 2003, the book advances a new theory of critical conditions. These critical conditions represent the conjunction of bodily, psychic, and textual states that defy conventional definitions of health and well-being.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Focuses on Francophone women writers who offer striking commentaries on the experience of illness and/or disability and its attendant discourses: Haitian writer Marie Chauvet; Guadeloupian-Senegalese writer Myriam Warner-Vieyra; Guadeloupian writer Maryse Condé; Senegalese writers Ken Bugul, Fama Diagne Sène, and Fatou Diome; and Swiss-Gabonese writer Bessora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health.
Garoutte,Claire (Author) and Wambaugh,Anneke (Author)
Format:
Book, Whole
Publication Date:
2007
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
258 p, In the summer of 2000, two award-winning photographers, Claire Garoutte and Anneke Wambaugh, were researching Afro-Cuban religious practices in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castañeda Vera, a priest-practitioner of Santería, Palo Monte, and Espiritismo, a Cuban version of nineteenth-century European Spiritism. Out of that initial meeting, a unique collaboration developed. Santiago opened his home and many aspects of his spiritual practice to Garoutte and Wambaugh, who returned to his house many times during the next five years, cameras in hand.
Feira de Santana, Bahia: Eduefs -Editora da Universdade Estadual de Feira de Santana
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
139 p, Professor Adjunto da Universidade Estadual de Feira de Santana, com doutorado e pós doutorado em estudos culturais, o australiano radicado na Bahia Piers Armstrong dedica-se a uma vertente culturalista que procura compreender de maneira singular as manifestações populares do estado da Bahia. Neste livro ele discute a obra de Jorge Amado, Caetano Veloso, Gilberto GIl e Carlinhos Brown, alé, de analisar vestuário, gíria, arte, costumes, publicidade e discurso político da cultura bahiana, principalmente a popular, imbricada com a questão da negritude.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
500 p, Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions.
Cambridge [England] New York NY USA: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
313 p, "Discrepant Engagement addresses work by a number of authors not normally grouped under a common rubric--black writers from the United States and the Caribbean and the so-called Black Mountain poets. Nathaniel Mackey examines the ways in which the experimental aspects of their work advance a critique of the assumptions underlying conventional perceptions and practice." (Google);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 P., First published in 1942 at the crest of her popularity, this is Zora Neale Hurston's unrestrained account of her rise from childhood poverty in the rural South to prominence among the leading artists and intellectuals of the Harlem Renaissance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
84 p, Tabaco, la carta española en la lucha por el control del comercio atlántico / Laura Náter -- Presidios, presidiarios y desertores : los desterrados de Nueva España, 1777-1797 / Jorge L. Lizardi Pollock -- Políticas de defensa de la España borbónica en el Gran Caribe y el papel del virreinato novohispano / Johanna von Grafenstein Gareis -- Las vigías costeras de Yucatán, de la defensa al clandestinaje / Jorge Victoria Ojeda -- El fin de un proyecto colonial en el Caribe : la expedición de Leclerc / Dolores Hernández Guerrero.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
164 p., Explores many aspects of Caribbean religion and spirituality, especially the complexities of carnival and its uniquely African soul. He notes too a theological dependency, and posits again a unique, Caribbean emancipatory theology to establish a theological "self-reliance." In emancipatory theology, as in Latin American liberation theology, the source for praxis and reflection is faith linked to historical experience. In the Caribbean experience, of continual struggle for identity, distinguishes and yet unites Caribbean Christians with Christians everywhere.
Rodríguez Guglielmoni,Linda M. (Author), González Hernández,Miriam Mercedes (Author), and Linda M. Rodríguez Guglielmoni,Miriam M.González Hernández (Editor)
Format:
Book, Whole
Publication Date:
2000
Published:
Bronx, NY: Latino Press, Latin American Writers Institute, Eugenio María de Hostos Community College, CUNY
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
253 p, International Conference of Caribbean Women Writers (7th : 2000 : Mayagüez, P.R.); Conference held Apr. 3-7, 2000, in Mayagüez and Ponce, R.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
271 p., Investigates the impact of American literature and culture upon the Anglophone Caribbean during and following the Second World War. Traditional inquiries involving this era usually render the Caribbean in colonial and/or post-colonial contexts; this dissertation instead looks to understand alternative variables, especially the widespread affiliations with U.S. culture made by emergent Caribbean writers from the so-called “Windrush Generation” that were exposed to American soldiers serving overseas. Contents: C.L.R. James -- V.S. Naipaul -- Sylvia Wynter -- George Lamming.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., One hundred years ago in Brazil the rituals of Candomble were feared as sorcery and persecuted as crime. Its religious objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments
While 20th-century Caribbean literature in French has generated a substantial body of criticism, earlier writings have largely been neglected. This article begins by contextualizing the Creole novel of the 1830s in cultural and historical terms, then proceeds to analyse two novels published by Martinican authors in 1835: Outre-mer by Louis de Maynard de Queilhe and Les Creoles by Jules Levilloux.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1001 p, Contents include: TELL MY HORSE -- Part 1. Jamaica -- The rooster’s nest -- Curry goat -- Hunting a wild hog -- Night song after death -- Women in the Caribbean -- Part 2. Politics and personalities of Haiti -- Rebirth of a nation -- The next hundred years -- The black Joan of Arc -- Death of Leconte -- Part 3. Voodoo in Haiti -- Voodoo and the voodoo gods -- The Isle of La Gonave -- Archahaie and what it means -- Zombies -- Sect rouge -- Parlay cheval ou (Tell my horse) -- Graveyard dirt and other poisons -- Doctor Reser -- God and the Pintards -- Songs of worship to voodoo gods: Maitresse Ersulie ; Férailke ; Rada ; Janvalo (Jean Valdo) -- Saint Jacques ; Petro ; Ibo ; Damballa ; Ogoun ; Salongo ; Loco ; Mambo Isan ; Dambala ; Agoë (Agoué te royo) ; Sobo ; Ogoun -- Miscellaneous songs: Sect rouge ; Chant beginning all rada ceremonies ; La mystérieuse méringue / A.L. Duroseau ; Etonnement, méringue caractéristique / A. Herandez ; Bonne humeur, méringue Haitïenne / Arthur L. Duroseau ; Olga, méringue par / Arthur Lyncíe Duroseau ; Chanson de Calicot ; La douceur --
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p., Cuba's geographic proximity to the United States and its centrality to US imperial designs following the War of 1898 led to the creation of a unique relationship between Afro-descended populations in the two countries. Drawing on archival sources in both countries, the author traces four encounters between Afro-Cubans and African Americans.
London; Concord, MA, USA: Whiting and Birch, Paul and Co., Publishers’ Consortium
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p, Contents: Framing the word: Caribbean women’s writing / Merle Collins -- En-gendering spaces: the poetry of Marlene Nourbese Philip and Pamela Mordecai / Elaine Savory -- Writing for resistance: nationalism and narratives of liberation / Alison Donnell -- Jamaica Kincaid’s prismatic self and the decolonisation of language and thought / Giovanna Covi -- Figures of silence and orality in the poetry of M. Nourbese Philip / David Marriott -- Saint Lucien Lawòz and Lamagwit songs within the Caribbean and African tradition / Morgan Dalphinis -- Keeping tradition alive / Jean Buffong -- New encounters: availability, acceptability and accessibility of new literature from Caribbean women / Susanna Steele and Joan Anim-Addo in conversation -- Children should be seen and spoken to: or writing for and about children / Thelma Perkins -- ’A world of Caribbean romance’: reformulating the legend of love or ’can a caress be culturally specific?’ / Jane Bryce -- Houses and homes: Elizabeth Jolley’s Mr Scobie’s riddle and Beryl Gilroy’s Frangipani house / Mary Condé -- Women writers in twentieth century Cuba: an eight-point survey / Catherine Davies -- Patterns of resistance in Afro-Cuban women’s writing: Nancy Morejón’s ’Amo a mi amo’ / Conrad James -- Encoding the voice: Caribbean women’s writing and Creole / Susanne Mühleisen -- Surinam women writers and issues of translation / Petronella Breinburg -- Frangipani house / Beryl Gilroy -- ’One of the most beautiful islands in the world and one of the unluckiest’: Jean Rhys and Dominican national identity / Thorunn Lonsdale -- Audacity and outcome: writing African-Caribbean womanhood / Joan Anim-Addo -- Coming out of repression: Lakshmi Persaud’s Butterfly in the wind / Kenneth Ramchand.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
193 p., Studies the writings of Toussaint Louverture and Aimé Césaire to examine how they conceived of and narrated two defining events in the decolonializing of the French Caribbean: the revolution that freed the French colony of Saint-Domingue in 1803 and the departmentalization of Martinique and other French colonies in 1946.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
202 p, Contents: The French West Indies à l'heure de l'Europe : an overview /; Richard D.E. Burton,; Fred Reno --; Constitutional and political change in the French Caribbean /; Helen Hintjens --; Politics and society in Martinique /; Fred Reno --; Guadeloupean consensus /; Jean-Paul Eluther --; Society, culture and politics in French Guiana /; Bridget Jones,; Elie Stephenson --; Dialectics of descent and phenotypes in racial classification in Martinique /; Michel Giraud --; The Declaration of the Treaty of Maastricht on the ultra-peripheral regions of the Community : an assessment /; Emmanuel Jos --; The French Antilles and the wider Caribbean /; Maurice Burac --; West Indians in France /; Alain Anselin --; Women from Guadeloupe and Martinique /; Arlette Gautier --; The idea of difference in contemporary French West Indian thought : Négritude, Antillanité, Créolité /; Richard D.E. Burton --; French West Indian writing since 1970 /; Beverley Ormerod
