African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., With the abolition of the slave trade in 1807 and the emancipation of all slaves throughout the British Empire in 1833, Britain washed its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates Britain continued to contribute to and profit from the slave trade well after 1807, even into the twentieth century. Chapter 4 is about Cuba and Brazil, pp. 83-111.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
369 p., Provides a history of Brazilian racial inequality from the abolition of slavery in 1888 up to the late 1980s, showing how economic, social and political changes in Brazil during the last 100 years have shaped race relations. By examining government policies, data on employment, mainstream and Afro-Brazilian newspapers, and a variety of other sources, Andrews traces pervasive discrimination against Afro-Brazilians over time. He draws his evidence from the country's most economically important state, Sao Paolo, showing how race relations were affected by its transformation from a plantation-based economy to South America's most urban, industrialized society.
Feira de Santana, Bahia: Eduefs -Editora da Universdade Estadual de Feira de Santana
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
139 p, Professor Adjunto da Universidade Estadual de Feira de Santana, com doutorado e pós doutorado em estudos culturais, o australiano radicado na Bahia Piers Armstrong dedica-se a uma vertente culturalista que procura compreender de maneira singular as manifestações populares do estado da Bahia. Neste livro ele discute a obra de Jorge Amado, Caetano Veloso, Gilberto GIl e Carlinhos Brown, alé, de analisar vestuário, gíria, arte, costumes, publicidade e discurso político da cultura bahiana, principalmente a popular, imbricada com a questão da negritude.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., One hundred years ago in Brazil the rituals of Candomble were feared as sorcery and persecuted as crime. Its religious objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments
