African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
254 p., An account of the history of the Boni- Maroons (Aluku-Maroons) of Surinam and French-Guiana from about 1730 until 1860. Based on archival data, oral history and the literature, the author paints an overall picture of Maroon-history of guerilla warfare, slave resistance and rebellion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
404 p., France experienced a period of crisis following World War I when the relationship between the nation and its colonies became a subject of public debate. The author focuses on two intersecting movements that redefined imperial politics— colonial humanism led by administrative reformers in West Africa and the Paris-based Negritude project, comprising African and Caribbean elites.
Hill,Robert A. (Author) and Garvey,Marcus (Author)
Format:
Book, Edited
Publication Date:
2011
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
845 p., "Though not an exhaustive compilation of documents from the period, the historical commentaries, chronologies, and primary documents in this volume serve as a thorough introduction to this important period in history and successfully integrates the history of Garvey and his impact on the global African diaspora into world history." -- Glenn A. Chambers, Journal of World History
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Looks primarily at Negrismo and Negritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas.
295 p., Focuses on the function of black vernacular myths and rituals in three primary women's texts of the Americas: Toni Morrison's Song of Solomon (1977), Simone Schwartz-Bart's Pluie et Vent sur Telumee Miracle (1972) and Paule Marshall's Praisesong for the Widow (1983). My project codifies how the black vernacular expressions of mythology and ritual are used to negotiate power between the individual and their community. The author traces how the women in these texts used resources of the black vernacular tradition as social and cultural collateral to empower themselves within an alternative system of values that simultaneously validates self and communal worth.
