Solow,Barbara L. (Editor) and Engerman,Stanley L. (Editor)
Format:
Book, Edited
Publication Date:
1987
Published:
Cambridge; New York: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 345 p.
Notes:
Includes Dunn, "Dreadful Idlers' in the Cane Fields: The Slave Labor Pattern on a Jamaican Sugar Estate, 1762-1831," pp. 163-90, 173, 179, 188; Craton and Walvin, "Jamaican Plantation," pp. 134-41; and Long, "History of Jamaica," pp. 2:437-40.
Burlington, Ont.: TannerRitchie Pub. in collaboration with the Library and Information Services of the University of St. Andrews
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Other Titles: America and West Indies, 1699. Originally published in print: London : Printed for H.M.S.O., by Mackie and Co., 1908., 1 online resource., This book discusses the original state paper of the British colonies; Editors: [v. 1-10] W.N. Sainsbury (with J.W. Fortescue, [v. 10])-- [v. 11-16] J.W. Fortescue.-- [v. 17-] Cecil Headlam (with A.P. Newton, [v. 38-])./ Eastern series continued in the calendars published by the India office
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
263 p., Analyzing pamphlets, newspapers, estate papers, trial transcripts, and missionary correspondence, this book recovers stories of ordinary Caribbean people, enslaved and free, as they made places for themselves in the empire and the Atlantic world, from the time of sugar tycoon Simon Taylor to the perspective of Samuel Ringgold Ward, African American eyewitness to the 1865 Morant Bay rebellion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Contents: From A true and exact history of the island of Barbados (1657) /; Richard Ligon --; From Jamaica viewed (1661) /; Edmund Hickeringill --; From Friendly advice to the gentlemen-planters of the East and West Indies (1684) /; Thomas Tryon --; Trip to Jamaica (1698) /; Edward Ward --; Speech made by a Black of Guardaloupe (1709) /; Anonymous --; Speech of Moses Bon Saam (1735) /; Anonymous --; From The speech of Mr. John Talbot Campo-bell (1736) /; Robert Robertson --; Story of Inkle and Yarico and An epistle from Yarico to Inkle, after he had left her in slavery (1738) /; Frances Seymour --; Poems from Caribbeana (1741) /; The "Ingenious Lady" of Barbados --; Sugar cane: a poem, in four books (1764) /; James Grainger --; From A general description of the West-Indian islands (1767) /; John Singleton --; "Carmen, or, an Ode," in Edward Long's A history of Jamaica (1774) /; Francis Williams --; From Jamaica, a poem, in three parts (1777) /; Anonymous.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
211 p, Contents: Introduction: Historicising 'Woman' and Slavery -- Black Women and the Political Economy of Slavery -- Property Rights in Pleasure: marketing Black Women's Sexuality -- Phibbah's Price: A black 'wife' for Thomas Thisleewood -- White women and freedom -- Fenwick's Fortune: A White Woman's West India Dream -- A Governor's Wife's Tale: Lady Nugent's "Blackies" -- A Planter's Wife's Tale: Mrs. Carmichael's Pro-Slavery Discourse -- Old Doll's Daughters: Flight from Bondage and Blackness -- An Economic Life of Their Own: Enslaved Women as Entrepreneurs -- Taking Liberties: Enslaved Women and Anti-Slavery Politics -- Historicising Slavery in Caribbean Feminism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
202 p, "Why do the people of the French Caribbean still continue to be haunted by the memory of their slave past more than one hundred and fifty years after the abolition of slavery? What process led to the divorce of their collective memory of slavery and emancipation from France's portrayal of these historical phenomena? How are Martinicans and Guadeloupeans today transforming the silences of the past into historical and cultural manifestations rooted in the Caribbean? This book answers these questions by relating the 1998 controversy surrounding the 150th anniversary of France's abolition of slavery to the period of the slave regime spanning the late Enligtenment and the French Revolution. By comparing a diversity of documents - including letters by slaves, free people of color, and planters, as well as writings by the philosophes, royal decrees, and court cases - the author untangles the complex forces of the slave regime that have shaped collective memory. The current nationalization of the memory of slavery in France has turned these once peripheral claims into passionate political and cultural debates." --Jacket.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p., From 1791 to 1804, revolution on the French Caribbean colony of Saint-Domingue sent thousands of free and enslaved people of African descent to the United States. Historians have largely viewed this migration as contributing to black community formation in cities like Philadelphia, and as evidence of revolutionary connections in an Atlantic World. This dissertation examines the experiences of these migrants as an example of competing identities among people of African descent, and argues that the emergence of an ethnic identity among black Saint-Dominguans, shaped by Roman Catholicism and French language, impeded assimilation into African-American communities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
306 p., Weather-induced environmental crises and slow responses from imperial authorities, Johnson argues, played an inextricable and, until now, largely unacknowledged role in the rise of revolutionary sentiments in the 18th century Caribbean.
261 p., Italian painter Agostino Brunias first traveled to the Caribbean sometime around 1770 in the employ of Sir William Young, First Baronet, a British aristocrat who had been charged with overseeing the sale of lands in the islands won by Britain from France at the end of the Seven Years War. Working primarily on the islands of Dominica and St. Vincent, as Young's official painter, Brunias was ostensibly charged with documenting the exotic bounty and diversity of the islands. For roughly the next quarter century, he painted for plantocrats and the colonial elite, creating romanticized tableaux that featured Caribbeans of color--so called "Red" and "Black" Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race. Examines how the artist's images reflected and refracted ideas about race commonly held by Britons in the colonial Caribbean during the late 18th century.
