Examines the women who became involved in Cuba's slave resistance movements of 1843 and 1844, drawing attention to those who molded that resistance in visible and public ways and those whose involvement has often been obscured or unnoticed. The narratives created around Fermina and Carlota Lucumf, two leading figures in the 1843 insurgencies, both rupture and complicate the masculine discourse around slave-movement leadership that has been central to historiographies of slave rebellion.
Dionne Brand's memoir, A Map to the Door of No Return: Notes to Belonging, touches on the author's childhood in Trinidad and adulthood in Canada but is equally concerned with understanding and intervening in the larger histories among which Brand situates her identity. Her sources are rich and varied, and they can be broken down into three general types: the historical archives written during the 'age of exploration' and the slave trade; the contemporary archives of newspapers and journals; and the creative archive of postcolonial writers, or the neo-archive.
In "Conceiving Freedom," Camillia Cowling examines how gender shaped urban routes to freedom for the enslaved during the slow process of emancipation in Cuba and Brazil. Slavery in those countries ended only after the rest of Latin America had abolished the "peculiar institution" and even after the American Civil War.
The editors discuss various reports including a tribute to historian Gerda Lerner, a forum on the Western media's use of the term medieval, and the involvement of women in slave resistance unions in Cuba during the mid-19th century.
"Although Annie John is commonly categorized as primarily Caribbean (a precursor to Kincaid’s “American” sequel, Lucy [1990]), my proposed comparison elucidates the Western and transnational leanings of this foundational “Caribbean” work and the ways in which it implicitly expands on Morrison’s representations of female autonomy and visual culture." --The Author
"Was talking about how we keep our creativity flowing with a group of friends around a kitchen table last winter. Visiting friends from Sri Lanka mentioned that they organise regular readings to encourage themselves to write fresh work and connect with likeminded types. Very ol' skool approach. WRITE ON! was born that nite," says Akhaji Zakiya, the founder, producer and host of the series. "We'll also have an open mic part of the showcase and a panel discussion exploring how we can support Black queer art and culture. We've also commissioned a special spoken word piece, #IAmAnAfrican, by co-host Naomi Abiola to celebrate our achievements," she said. The other cohost of the evening is triple threat Twysted. With a repertoire that is expanding to include short stories and plays about women loving, [Zakiya]'s work has appeared in several publications, including "The Great Black North - Contemporary African Canadian Poetry" (Frontenac, 2013) and "Does Your Mama Know? - An Anthology of Black Lesbian Coming Out Stories" (Red Bone Press, 1997).
The island's lone female jockey, Georgina Sergeon, made her long-awaited return to the saddle at Caymanas Park on Saturday, February 1 after she was seriously injured in a riding spill just over two years ago. The 23-year-old Sergeon secured two rides on the 10-race programme: GOOD LIFE, who finished third at odds of 11-1 in the second race over 1100 metres for maiden three-year-olds; and the rank outsider, QUIET RULER, who finished down the track in the eighth race over 1200 metres. On Saturday, January 21, 2012, Sergeon fell from her mount, TRICKY TRAIN, after the filly clipped the heels of another horse in a crowded field at the home turn. She came out of the spill with serious injury and had to be hospitalised. Having injured her spine and lower back, Sergeon had to undergo surgery, followed by a long period of rehabilitation.