Proposes a reading of Donna Hemans' novel River Woman in relation to other contemporary Caribbean women writers and to the early fiction of Toni Morrison. Argues that the complex affects that her representation of 'child-shifting' produces can be articulated in relation to literary texts that re-imagine historical and contemporary practices leaving a child in order to save her and in the context of the plantation.
Focuses on specific aspects of the independent, creative network of musicians who in the late 1960s and early 1970s bonded together as the nueva canción or nueva canción movement across the Latin American continent, the Caribbean, and Spain. The author traces nueva canción through various key phrases. Nueva canción describes a music enmeshed within historical circumstances which included: the forging of revolutionary culture in Cuba; the coming together of political parties to form a coalition to elect the first ever socialist president in Chile in 1970; resistance to brutal Latin American dictatorships; and the struggle for new democracies. The music was often referred to by different names in different countries. It was known as: nueva cancionero (new song book) in Argentina; nueva canción (new song) in Chile and Peru; nueva trova (new song) in Cuba; and volcanto (volcanic song) in Nicaragua. Nueva canción musicians never saw their music as protest song. Nueva canción was regarded as a social force in itself and a key resource for creating collective bonds. This movement in its various forms was an emblematic music of the 1960s, 1970s, and 1980s. Functioning as both a national and international music, nueva canción has become part of the active memory of this period. Its potent legacy can be seen in the fact that many high-profile commercial singers today continue to be influenced by it: nueva canción continues to be perceived as a legitimate, unifying, and active force for peaceful change.
Looks at the performance of tomboy identity in Joan Anim-Addo's collection of poetry Janie, Cricketing Lady and Margaret Cezair-Thompson's novel The Pirate's Daughter. Argues that the ongoing affects of colonialism and patriarchy in the islands of Grenada and Jamaica, shape the life narratives. To understand the way in which affect can be expressed through tomboyism in Caribbean societies, it is necessary to look at color and class alongside gender in the context of Caribbean creolization.
His season-opener, which is just six centimetres off the A standard mark of 66 metres, saw [Jason Morgan] being ranked number one in the world at the time. He has since been supplanted by Australia's 22-year-old phenom, Julian Wruk, who since March 30 has recorded throws of 66.0lm, 66.05m and 66.32m. Morgan's mark now ranks him the second-best thrower in the world this year.
'It wasn't easy," said Jamaica coach Winfried Schäfer. "Costa Rica are a very good team. At 1-0 down, I change team. The goalkeeper did well in the first half and not too well in the second half. We still have [a] chance. Next game is against US in US in a month's time. We thank 'Tuffy'." Striker [Jermaine] 'Tuffy' [Anderson] hails the Jamaican crowd following the 1-1 draw against Costa Rica in CONCACAF World Cup Qualifying action at the National Stadium. Anderson scored for Jamaica.
The late Trinidadian intellectual and activist C. L. R. James made a profound contribution to, among other things, the shaping of modern multicultural, 'post-colonial' Britain. This essay explores some of the complexities of James's early ingrained identification with 'imperial Britishness' while growing to intellectual maturity as a black colonial subject. In particular, it examines in detail the influence of the Victorian cultural theorist Matthew Arnold on the young James, and his circle of implicitly anti-colonial writers who formed around independent journals such as The Beacon. James's sincere attempt to live by the ideals of liberal humanism exposed the hypocrisy at the dark heart of colonial rule, and he developed Arnold's method of understanding metropolitan British society to analyse society in the Caribbean. James's admiration for such 'Victorian critics of Victorianism', and the complex ways in which he imitated, transformed, and reinvented the liberal humanism of Arnold in the context of inter-war colonial Trinidad deserve more critical attention from historians than it has yet received in the growing literature of scholarship on James and the project of 'intellectual decolonisation' in general.
