225 p., This dissertation is a cultural history of Barbados since its 1966 independence. As a pivotal point in the Transatlantic Slave Trade of the 17th and 18th centuries, one of Britain's most prized colonies well into the mid 20th century, and, since 1966, one of the most stable postcolonial nation-states in the Western hemisphere, Barbados offers an extremely important and, yet, understudied site of world history. Barbadian identity stands at a crossroads where ideals of British respectability, African cultural retentions, U.S. commodity markets, and global economic flows meet. Focusing on the rise of Barbadian popular music, performance, and visual culture this dissertation demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. This project examines the relation between the global pop culture market, the Barbadian artists within it, and the goals and desires of Barbadian people over the past fifty years, ultimately positing that the popular culture market is a site for postcolonial identity formation.
"Jamaicans are too rich to be so poor, too blessed to be so stressed, too anointed to be so disappointed" Jamaica's fonner Prime Minister Bruce Golding said after outlining some of the issues which plague the population of 2.5 million he once governed. The reputed orator in candor thanked the protestors for taking time to show up on his behalf. Perhaps, PM Golding's refusal to extradite Christopher "Dudus" Coke and later his approval to adhere to requests from the USA might have resulted in his decision to retire from politics. "Government cannot mobilize the diaspora," PM Golding added, "and cannot operate primarily around patriotism" but must be businesslike.
Discusses perspectives in Africana feminist thought. While, not an exhaustive review of the entire diaspora, three regions are discussed: Africa, North America, and the Caribbean.
