"I think we will do fairly well," said [Aiken]. "I think we have a good set of girls going over there that will do us very proud. We know the task ahead, and we know what we are going to come up against, and so we just need to put it together as a team," added Aiken, who plays for the Queensland Firebirds in the ANZ Championships in Australia and New Zealand.
321 p., Locates contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. Examines the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, the author addresses representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse.
Two-time Olympic 100 metres champion, Shelly-Ann Fraser-Pryce (second left), winning the women's Olympic Development 100 metres in 11 .47 seconds at the Queen's/Grace Jackson Invitational meet at the National Stadium Saturday, January 26. Two time Olympic 100-metre champion ShellyAnn Fraser-Pryce displayed good early-season form to win the women's sprint event at the Queen's/Grace Jackson Invitational meet at the National Stadium on Saturday, January 26.
Lucea,Marguerite B. (Author), Stockman,Jamila K. (Author), Mana-Ay,Margarita (Author), Bertrand,Desiree (Author), Callwood,Gloria B. (Author), Coverston,Catherine R. (Author), Campbell,Doris W. (Author), and Campbell,Jacquelyn C. (Author)
Format:
Journal Article
Publication Date:
May 2013
Published:
Thousand Oaks, CA: Sage Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Explores the relationship between intimate partner violence (IPV) and resource use, considering sociodemographics and aspects of IPV by presenting results from a study conducted with African American and African Caribbean women in Baltimore, Maryland, and the U.S. Virgin Islands.
"When I look at the 200m, the record is so far out there, so for me I just try to improve each year and it's definitely not at the top of my list," said Felix touching on the records. "I never like to say never as far as the record is concerned but realistically speaking, I do think that they are very fast; I don't think at least in the 200m where my focus is. I don't think that record is going anytime soon. I can be wrong because track is like that, where amazing things happen that you are not suspecting." "I love running with Veronica and I love high-quality races and I wish we could meet more, it's just how it works out sometimes," Felix added.
"Overall, I'm just happy to come away with a win," said [Fraser-Pryce]. "Today I didn't run according to how I wanted but still came out with a viotory. That made me happy. There is a lot more room for improvement in the 200m, and I'm looking forward to more races to see how best I can put a complete race together." The men's 100m also featured three Jamaicans, but it was American Justin Gatlin. 9.97 - the Olympic lOOm bronze medallist, who crossed the line first in a tight finish; barely bettering his compatriot Mike Rodgers and Jamaican Olympic 4x1 00m relay gold-medal winner Neata Carter, who both posted season-best times of 9.99. Jamaican Shericka Williams struggled in sixth place, despite posting a season best 52.23 with 200m specialist [Felix] running second in 50.19 and Great Britain powerhouse Christine Ohuruogu finishing third in a 50.53 season's best.
245 p., In the Humanities, studies on the legacy of enslaved Black women are often split along ethnic, cultural, linguistic and national lines. This dissertation brings together literatures and visual arts from Puerto Rico, Martinique, Suriname, the Dominican Republic and the U.S. representing a myriad of linguistic and cultural traditions that turn to the legacy of the historical Black female body as their myth of creation. The author positions these works under the heading of Plantation Zone Literatures and Visual Arts, a term used to indicate the centrality of Black women's genealogy in 20th-century and 21st-century works from the Black Diaspora. Once a geographic space where Africans and their heirs were forced to labor, the Plantation Zone serves as a metaphorical site where the legacy of the historical Black female body--in multifarious forms of triumph and pain--is celebrated in Black Diasporic literatures.
453 p., Offers an anthropological interpretation of cultural discourses about the body found in literature, visual narratives and archival sources throughout 19th century in Spanish colonial Havana. These discourses show a pressing concern with the "manners" of bodies, the ways they moved, how they occupied space, and how they managed sensations and emotions to negotiate power and prestige in the highly stratified Havana's society. Concerns for the manners of the body became the discursive domain of the rising planter and intellectual elite of Cuban creoles. They often expressed these concerns in normalizing terms such as "good manners," "good taste," and "tone." Argues that these and other highly embodied, interlocking moral, sensory, affective and aesthetic categories such as nobility, respect or " sabor " became focal indexes of the social status of individuals in colonial society.
Discusses perspectives in Africana feminist thought. While, not an exhaustive review of the entire diaspora, three regions are discussed: Africa, North America, and the Caribbean.
