This is a narrative of Jamaica told on a musical crescendo, no 'bungar.ung'. Just the words of Jah. `Equal Rights: Reggae and Social Change' is seeking to transform the bare walls of the Jamaica Music Museum, stringing together notes of this truly Jamaican genre. "Since reggae is Jamaican, we have used it to convey the message," said Herbie Miller, director/curator of the Jamaica Music Museum. "It is a journey highlighting socio-political and spiritual sensibility." The realm of the `happy go lucky' Jamaica transitions to Ska depicting plain and modern art building the crescendo of social change as the legendary Bob Marley and the Wailers resonate 'Get Up Stand Up', evolution of musicians on the frontline of social change.
Gledhill,John (Editor) and Schell,Patience A. (Editor)
Format:
Book, Edited
Publication Date:
2012
Published:
Durham: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
398 p., Re-examines the concepts of resistance and the effect of neoliberalism from the 1980s to the present day comparing Brazil and Mexico, two of the largest countries in Latin America. Includes Marcus J. M. de Carvalho's "The 'commander of all forests' against the 'Jacobins' of Brazil : the Cabanada, 1832-1835," and Robert W. Slenes' "A 'great arch' descending : manumission rates, subaltern social mobility, and the identities of enslaved, freeborn, and freed Blacks in southeastern Brazil, 1791-1888.