African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., This volume contains a collection of statistics, surveys and essays on the region and includes contributions from acknowledged authorities who examine topics of regional importance. It includes individual chapters on each country and territory.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1134 p, This volume contains a collection of statistics, surveys and essays on the region and includes contributions from acknowledged authorities who examine topics of regional importance. It includes individual chapters on each country and territory.
Olympic 200m bronze medallist Warren Weir, and Kemar Bailey-Cole, a 4x100m relay gold medallist and Jamaica's newest member of the sub-10 seconds 100m club, with a best of 9.97, lead that group, which also includes Jason Young, who has a personal best of 19.86 200m, and World Junior Championships 100m finalist Jazeel Murphy. "It's going to take a little time and depends on how well he adapts to the corrections and training and so forth though," [Mills] warned, before explaining some of the issues the lanky sprinter has had to overcome.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
353 p., Interspersing colonial history with her family's experience, Stuart explores the interconnected themes of settlement, sugar and slavery. In examining how these forces shaped her own family--its genealogy, intimate relationships, circumstances of birth, varying hues of skin--she illuminates how her family, among millions of others like it, in turn transformed the society in which they lived, and how that interchange continues to this day.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p., Explores a broad range of power relationships and struggles for authority in the early 19th century British Atlantic, focusing on the Caribbean colony of Berbice. I aim to understand how enslaved people and their enslavers negotiated their relationships and forged their lives within multiple, interconnected networks of power in a notoriously brutal society. Focuses on politics and culture writ large and small, zooming in to see the internal conflicts, practices, and hierarchies that governed individual plantations, communities, and families; and zooming out to explore the various ways that imperial officials, colonial administrators, and metropolitan antislavery activists tried to shape Caribbean area slavery during the era of amelioration-a crucial period of transformation in the Atlantic world. Sources used include travel narratives, trial records, missionary correspondence, and official government documents. Most important are the records of the Berbice fiscals and protectors of slaves, officials charged with hearing enslaved peoples' grievances and enforcing colonial laws.
The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary.
Hi-Lyte sport drink brand manager, Julette FoxHosang, says the calm demeanour and character of West Indies Women's all-rounder Stafanie Taylor were two of the reasons behind her company's decision to sign the world-ranked cricketer as a brand ambassador. The one-year deal, which includes cash, kind and incentives, will see Taylor joining 2008 Beijing Olympics 100 metres silver medallist Kerron Stewart as Hi'Lyte 's lead ambassadors.
238 p., Focuses on a strand of fiction and performance whose ambitious aesthetic aims both work within radical ethnic movements and exceed the identitarian strictures associated with these movements. Black Arts/Black Power, the American Indian Movement (AIM), and the multiethnic Third World Strike were profoundly transnational and cross-racial in their theory and practice. Shows how writers working within and after these movements developed experimental forms and figures that navigate between particular ethnic identities and a universalizable collective political subject. Drawing on a long-standing body of work that has shown the inseparability of politics and aesthetic form, I place revolutionary nationalist aesthetics in dialogue with a recent theoretical tradition that has reimagined universalist politics. Traces collaborations between Henry Dumas and Sun Ra, whose play with ontological categories does not easily fit Black Arts's strongly racialized context, through the fraught relationship between Leslie Marmon Silko's Ceremony and AIM's political theater, to more recent retrospective accounts of nationalist movements by Karen Tei Yamashita and Jamaican novelist and anthropologist Erna Brodber.
280 p., Examines how Cubans mobilized the memory of their wars of independence as the symbolic and narrative foundations of their nationhood. Argues that the creation of a set of heroes, icons, and parables was crucial to consolidation of the Cuban republic and to the establishment of political and racial norms that sustained it. Cuban independence was threatened from its outset by the prospect of U.S. intervention. In this context, securing political stability and social unity became matters of national survival. The sanctification of national heroes enabled Cubans to demonstrate the historical legitimacy of their fragile republic, and Cubans circulated narratives emphasizing the cooperation of black and white Cubans in the anti-colonial struggle to deny and forestall conflicts over racial inequality.
