African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: Godfrey BALDACCHINO, Yoko ORYU, French Caribbean: Adieu foulard, adieu madras: A sonic study in (post)colonialism (RILM ref]2011-12101/ref]); Sergio BONANZINGA, Sicily: Navigating responses to global cultural patterns (RILM ref]2011-12111/ref]); Kathryn A. BURNETT, Ray BURNETT, Scotland's Hebrides: Song and culture, transmission, and transformation (RILM ref]2011-12104/ref]); Jennifer CATTERMOLE, Fiji Islands: A sustainable future for sigidrigi? (RILM ref]2011-12107/ref]); Ijahnya CHRISTIAN, English Caribbean: When people cannot talk, they sing (RILM ref]2011-12099/ref]); Judith R. COHEN, Ibiza and Formentera: Worlds of singers and songs (RILM ref]2011-12113/ref]); Cristoforo GARIGLIANO, Aeolian Islands: Three singers, their folk songs, and the interpretation of tradition (RILM ref]2011-12112/ref]); Waldo GARRIDO, Philip HAYWARD, Chiloé: An offshore song culture (RILM ref]2011-12109/ref]); Maria HNARAKI, Crete—Souls of soil: Island identity through song (RILM ref]2011-12110/ref]); Henry M. JOHNSON, Jersey: Jèrriais, song, and language revitalization (RILM ref]2011-12105/ref]); Soraya MARCANO, Spanish Caribbean: Liquid identities (RILM ref]2011-12100/ref]); Owe RONSTRÖM, Gotland: Where folk culture and island overlap (RILM ref]2011-12114/ref]); Heather SPARLING, Cape Breton Island: Living in the past? Gaelic language, song, and competition (RILM ref]2011-12102/ref]); Deatra WALSH, Newfoundland: From Ron Hynes to Hey Rosetta! (RILM ref]2011-12103/ref]); Oli WILSON, Papua New Guinea: Popular music and the continuity of tradition—An ethnographic study of the songs by the band Paramana Strangers (RILM ref]2011-12106/ref]).
Anderson,William M., (Ed.And Pref.), Campbell,Patricia Shehan, (Ed.And Pref.), and Seeger,Anthony, (Foreword)
Format:
Book, Whole
Publication Date:
01/01; 2011
Published:
Lanham: Rowman & Littlefield Education
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: William M. ANDERSON, Michael B. BAKAN, Patricia Shehan CAMPBELL, Jackie Chooi-theng LEW, Phong NGUYỄN, Pornprapit PHOASAVADI, Music of Southeast Asia (RILM ref]2010-13857/ref]); William M. ANDERSON, Patricia Shehan CAMPBELL, Teaching music from a multicultural perspective (RILM ref]2010-13846/ref]); William M. ANDERSON, Kuo-huang HAN, Tatsuko TAKIZAWA, Ricardo D. TRIMILLOS, Music of East Asia (RILM ref]2010-13856/ref]); William M. ANDERSON, Kristin Olson RAO, Music of South Asia: India (RILM ref]2010-13858/ref]); Sarah J. BARTOLOME, Pierre Cary (Kazadi wa Mukuna) KAZADI, Elizabeth OEHRLE, Music of sub-Saharan Africa (RILM ref]2010-13847/ref]); Bryan BURTON, Kay L. EDWARDS, Music of native peoples of North America (RILM ref]2010-13853/ref]); Milton L. BUTLER, Marvelene C. MOORE, Rosita M. SANDS, Linda B. WALKER, African American music (RILM ref]2010-13848/ref]); Patricia Shehan CAMPBELL, David G. HEBERT, World beat (RILM ref]2010-13855/ref]); Patricia Shehan CAMPBELL, Ellen MCCULLOUGH-BRABSON, Euro-American music (RILM ref]2010-13852/ref]); Patricia Shehan CAMPBELL, Music of Europe (RILM ref]2010-13851/ref]); Ann C. CLEMENTS, Peter DUNBAR-HALL, Sarah H. WATTS, Music of Oceania and the Pacific (RILM ref]2010-13854/ref]); David G. HEBERT, Jazz and rock music (RILM ref]2010-13850/ref]); Rita KLINGER, Christopher ROBERTS, George D. SAWA, Terese VOLK TUOHEY, Music of the Middle East (RILM ref]2010-13859/ref]); Dale A. OLSEN, Milagros Agostini QUESADA, Amanda C. SOTO, Music of Latin America and the Caribbean (RILM ref]2010-13849/ref]). The first edition is abstracted as RILM ref]1990-07600/ref], the second as RILM ref]1996-23510/ref].
