African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
316 p., Demonstrates how the lambada —a genre of electric guitar-based dance music consolidated in the port city of Belém, Pará in the 1970s— makes audible a history of mobile, cosmopolitan connections that transcend and transgress the boundaries of the Amazon region proper. These submerged "translaterai" links with the circum-Caribbean and the Brazilian Northeast challenge hegemonic constructions of Belém as a provincial outpost or pocket of exclusion "at land's end."
This spring, Professor [Henry Louis Gates Jr.] returns to PBS with "Black in Latin America," a new four-part, four hour series. Focusing on six Latin American countries - Haiti, the Dominican Republic, Cuba, Brazil, Mexico and Peru - the series explores the influence of the African diaspora on Latin America. On his journey. Gates discovers a shared legacy of colonialism, slavery and people marked by African roots. In his new series. Gates sets out on a quest to discover how Latin Americans of African descent live now, and how their countries acknowledge - or deny - their African past.
152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, Rodney was disturbed by the inability of intellectuals to share common cause with the masses, thus ensuring that they would be unable to contribute to uplifting their talents or participate in the growth of the nation. Guyana and the Caribbean were subject to sugar and slave traffic that constituted cheap labor for the plantations and buttressed the capitalist-industrial system. A significant byproduct of that system was the master-slave relationship; a no-less iniquitous consequence was an active racism. Thus, social inequality became the heritage of Guyanese and Caribbean history.