Analyses Sistren Theatre Collective's theatrical and organizational collective model by contextualizing the company's commitment to collectivity in terms of political and social shifts in Jamaica during the 1980s. Argues that race- and class-based divisions within Jamaican society were masked by collectivity masked.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
396 p, Contents: Foreigners : Sao Paulo, 1900-1925 -- Fraternity : Rio de Janeiro and São Paulo, 1925-1929 -- Nationals : Salvador da Bahia and São Paulo, 1930-1945 -- Democracy : São Paulo and Rio de Janeiro, 1945-1950 -- Difference : São Paulo, Rio de Janeiro, and Salvador da Bahia, 1950-1964 -- Decolonization : Rio de Janeiro, Salvador da Bahia, and São Paulo, 1964-1985 -- Epilogue : Brazil, 1985 to the new century.
