Sabiescu, Amalia (author) and Centre for Community Networking Research, Monash University, Victoria, Australia.
Format:
Paper
Publication Date:
2009-11-04
Published:
Romania
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 178 Document Number: C35684
Notes:
Community Informatics Research Network (CIRN) Conference 2009, Prato, Italy, November 4-6, 2009. 14 pages., Exploring potentials for using digital storytelling to safeguard endangered cultures.
In an effort to push the literature on music and collective identity to examine how the cognitive dimension of collective identity gets constructed, a study shifts away from the customary focus on lyrics, toward an analysis of the everyday discursive contexts of music scenes, such as rehearsals, informal commentary, and training seminars. By examining such contexts within the black gospel music scene in São Paulo, Brazil, the study discovers that a complex ideology of racial identity, infused with ideas drawn from North American history and the Bible, circulates within the scene.
261 p., Italian painter Agostino Brunias first traveled to the Caribbean sometime around 1770 in the employ of Sir William Young, First Baronet, a British aristocrat who had been charged with overseeing the sale of lands in the islands won by Britain from France at the end of the Seven Years War. Working primarily on the islands of Dominica and St. Vincent, as Young's official painter, Brunias was ostensibly charged with documenting the exotic bounty and diversity of the islands. For roughly the next quarter century, he painted for plantocrats and the colonial elite, creating romanticized tableaux that featured Caribbeans of color--so called "Red" and "Black" Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race. Examines how the artist's images reflected and refracted ideas about race commonly held by Britons in the colonial Caribbean during the late 18th century.
Deals with two interrelated topics. The first one is the extent to which the rejection of racism has led to a rejection of racial self-identification, and its group-differentiated dimension: for indigenous people in the countries under study, the rejection of racism did lead to a rejection of racial self-identification; for people of African descent, by and large, it did not. The second topic is the extent to which collective action and the political claims voiced by minority groups rely on cultural distinctiveness and, again, its group-differentiated dimension: the paper suggests that for indigenous people, the politicization of culture has been both more extensive and more successful than for people of African descent.
