261 p., Italian painter Agostino Brunias first traveled to the Caribbean sometime around 1770 in the employ of Sir William Young, First Baronet, a British aristocrat who had been charged with overseeing the sale of lands in the islands won by Britain from France at the end of the Seven Years War. Working primarily on the islands of Dominica and St. Vincent, as Young's official painter, Brunias was ostensibly charged with documenting the exotic bounty and diversity of the islands. For roughly the next quarter century, he painted for plantocrats and the colonial elite, creating romanticized tableaux that featured Caribbeans of color--so called "Red" and "Black" Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race. Examines how the artist's images reflected and refracted ideas about race commonly held by Britons in the colonial Caribbean during the late 18th century.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
180 p., Brings together, in one volume, a number of monographs from the mid to late 18th century (the period known as the Age of Reason) on the diagnosis and treatment of diseases of African and Creole slaves in the English-speaking Caribbean. Included here are James Grainger’s Essay on the More Common West-Indian Diseases (1764) and book 4 of The Sugar-Cane (1764); book 2 of the Reverend Griffith Hughes’s Natural History of the Island
of Barbados (1750); and Benjamin Moseley’s Miscellaneous Medical Observations (1789).