African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p., Combines historical elements on the formation of Brazil in their ethnic identity and cultural character and shows the reader the contributions of Bantus in this process. Moreover, Nei Lopes sets new parameters on the relationship between Islam and negritude. By way of its involvement with the black cultural resistance in Brazil and Africa, presents the reader with a face of history unknown to most Brazilians.
Nego Gato's current production, under the series "Brazil to Pittsburgh, Vol. 2, is Navio Negregiro: The Ships of Enslavement" is a new work created by organization founder [Mestre Nego Gato] along with Paco Gomes. This work is a combination of Modern and Traditional dances that tells the story of the Middle Passage from African and the subsequent struggles in Brazil to regain their freedom. This production runs April 6 and 7 at 8 p.m. at the Kelly-Strayhorn Theater and the goal again according to Mestre Gato is to "share the beauty, variety and dynamic power of Afro-Brazilian culture."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
374 p., This volume's transnational mixture, along with its use of creative analytical approaches, challenges existing paradigms and summons new models for studying women, religions, and diasporic shiftings across time and space. Includes "É a senzala: slavery, women, and embodied knowledge in Afro-Brazilian Candomblé" by Rachel Elizabeth Harding, "'I smoothed the way; I opened doors': women in the Yoruba-Orisha tradition of Trinidad' by Tracey E. Hucks, and "Joining the African diaspora: migration and diasporic religious culture among the Garifuna in Honduras and New York" by Paul Christopher Johnson.
