Scarpaci describes recent changes in viewpoints in Cuban film. He focuses on the underlying satire and criticism that films use to portray Cuban culture, Socialism, bureaucracy, etc.. Scarpaci examines that a particular filmmaker,Fernando Pérez, has a magical realist undertone similar to García Márquez's work.
Irani, Tracy (author), Ruth, Amanda M. (author), and Muegge, Melissa (author)
Format:
Research report
Publication Date:
2005-05-31
Published:
USA
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 143 Document Number: C22250
Notes:
Available in CD and paper formats., Presentation at conference of the Association for Communication Excellence in Agriculture, Natural Resources, and Life and Human Sciences (ACE), San Antonio, Texas, May 31, 2005. 16 pages.
"Drawing upon the author's experiences of growing up white and gay in apartheid South Africa, this collection of personal essays explores themes of kitsch, displacement, love, sexuality, and forgiveness. A central question posed by the work is whether virtues such as love and forgiveness are worth the cost they frequently exact. These costs include, but are not limited to, denial of the self and individual perception in order to make possible a sense of profound union with other persons. In the end the dissertation concludes that it is best to accept a level of permanent and irrevocable yearning for connection and healing which human life will never entirely fulfill." Gabriel García Márquez is mentioned in the dissertation.
In her book Louisiana, Erma Brodber reflects on the alliances that should exist between the African American and Afro Caribbean peoples, symbolically repairing the fissures that exist between the two, while addressing an uncommon subject in Caribbean migrant literature. Brodber's literary themes toward the unification of the relationships shared amongst the black diaspora articulate the legal tensions and national differences that can impede these alliances. Although Brodber's novel approaches this by creating a reconnection of the African diaspora in a borderless and nationless transmigration, and sometimes through a spaceless spirit world, Page argues that in reality this reunification is affected by the rules of the state that simply cannot be ignored.;
