Commenting on the sanctity of the family, the president delivers a clear message in the song, "Pap Divoce," for which his cabinet has already delivered an entertaining video. [Mickey] has taken note of the disposition of the nation's young in regard to Haiti's current state and delivered a very club friendly response in the melodious "Non, non, non". Presidential advisor Wyclef Jean makes a bullet-riddled entrance in "Men nou" that should have dedicated supporters either rushing for shelter or the nearest ballot box. Djazz La Vol. 5 is probably the very best effort this talented drummer/producer has ever released.
In the music's hundred year existence, the tradition's greatest innovators (Louis Armstrong, Duke Ellington, Billie Holiday, Charlie Parker, Thelonious Monk, John Coltrane, and Ornette Coleman, just to name a few...) have been black. However, Jazz music has since evolved into an international and even a universal level, to the point where we now have: Latin Jazz/Brazilian Jazz/Cuban Jazz/Japanese Jazz etc...Basically, most cultures around the world found their niches in Jazz music. Over the years, Haiti has been home to many great jazz musicians, unfortunately with the dominance of Konpa Music, many Haitians have sort-of ignored this genre of music, and these musicians, but there are a small minority of Haitians in Haiti and abroad that are very fond of Jazz music and have shown serious support to the Haitians musicians who dedicated their lives and craft to playing Jazz music, despite the fact that it's not the dominant and popular art form in Haiti.
"Lakou Trankil" is the work of an artist quietly reflecting on the personal, the political, the light and heavy sides of Haitian life. The album's lead song, "Lakou", blends a soulfully acoustic reggae with thoughtful metaphors that borrow from the wisdom of Haiti's country folk. Belo's strong baritone seems fashioned after Bob Marley's own and this distinct quality is definitely heard when he wails "dread natty dread..." in that song's plaintive chorus. The R&B-styled "Tenza", a song about love gone bad, displays the artist's consistent ability to lend complex melodic verses into simple chord progressions. The playful "Luv to luv" features the kind of vocal precision and acrobatics that have made a star of Jamaican artist Buju Banton and is backed by a masterful blend of acoustic guitars and percussion.
