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2. Creating Ethnography: Zora Neale Hurston and Lydia Cabrera
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Hoffman-Jeep,Lynda (Author)
- Format:
- Journal Article
- Publication Date:
- 2005
- Published:
- Terre Haute, IN: Dept. of English, Indiana State University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- African American Review
- Journal Title Details:
- 39(3) : 337-353
- Notes:
- "While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
3. Degrees of freedom: Louisiana and Cuba after slavery
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Scott,Rebecca Jarvis (Author)
- Format:
- Book, Whole
- Publication Date:
- 2005
- Published:
- Cambridge, MA: Belknap Press of Harvard University Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 365 p., As Louisiana and Cuba emerged from slavery in the late 19th Century, each faced the question of what rights former slaves could claim. Observes the people, places, legislation and leadership that shaped how these societies adjusted to the abolition of slavery. The two distinctive worlds also come together, as Cuban exiles take refuge in New Orleans in the 1880s, and black soldiers from Louisiana garrison small towns in eastern Cuba during the 1899 U.S. military occupation.
4. Castro defends Assata Shakur
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Boyd,Herb (Author)
- Format:
- Newspaper Article
- Publication Date:
- May 19-May 25, 2005
- Published:
- New York, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- New York Amsterdam News
- Journal Title Details:
- 21 : 2
- Notes:
- As if her precious life and freedom were a game of poker, the FBI upped the ante or bounty on [Assata Shakur] to $1 million two weeks ago. In a television address last Tuesday, Cuban leader Fidel Castro rejected calls to hand over Shakur, stating that she was not a terrorist but a victim of racial persecution. "They wanted to portray her as a terrorist, something that was an injustice, a brutality, an infamous lie," Castro said in his televised speech, while never mentioning Shakur's name. "They have always been hunting her, searching for her because of the fact that there was an accident in which a policeman died."
5. Hands off Assata Shakur
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Boyd,Herb (Author)
- Format:
- Newspaper Article
- Publication Date:
- May 12-May 18, 2005
- Published:
- New York, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- New York Amsterdam News
- Journal Title Details:
- 20 : 7
- Notes:
- Ever since [Assata Shakur] (nee Joanne Chesimard) became a member of the Black Panther Party and subsequently a member of the Black Liberation Army, she has been involved in revolutionary activities to change the racist policies of America. She found herself in the crosshairs of the criminal justice system in the early 1970s after she and her comrades were stopped on the New Jersey Turnpike by New Jersey State Troopers. Assata was traveling with Zayd Shakur and Sundiata Acoli in May 1973 when they were stopped, the troopers said, because of a faulty tail light on their car. Shortly after the stop, a shootout occurred. "There were lights and sirens," Shakur recalled in her autobiography. "Zayd was dead. My mind knew that Zayd was dead. The air was like cold glass, my mouth tasted like blood and dirt. Suddenly the [car] door flew open and I felt myself being dragged out onto the pavement. Pushed and punched, a foot upside my head, a kick in the stomach. Police were everywhere. One had a gun to my head," she wrote.
6. Can Afro Cuba survive after Fidel?
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Carrillo,Karen Juanita (Author)
- Format:
- Newspaper Article
- Publication Date:
- Dec 22-Dec 28, 2005
- Published:
- New York, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- New York Amsterdam News
- Journal Title Details:
- 52 : 2
- Notes:
- The political awareness of Afro Cubans remains exclusively tied to the Revolution. "And [Fidel Castro] is the one sustaining the Revolution: the reason Cuba is so strong is because of Fidel," said a prominent U.S.-based Afro Latino journalist who preferred not to be named. "After Fidel, the Cubans in Miami will simply pounce on the island," this journalist contends. "They have connections in Cuba; they have their people in place in Cuba already. When they take over they're going to be opening up the political arena to the U.S. again. Cuba has ostensibly been "independent" since Dec. 10, 1898, following decades of fighting between the nation's independence army, the Cuba Libre, and Spain. By 1898, the war was between Spain and the United States, but Cubans had declared their independence as early as Oct. 10, 1868. At that time, they'd also called for the island to end its enslavement of Black people, but emancipation from slavery was not made law until Oct. 7, 1886.
7. Blackface Cuba, 1840-1895
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lane,Jill (Author)
- Format:
- Book, Whole
- Publication Date:
- 2005
- Published:
- Philadelphia: University of Pennsylvania Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 274 p, "A model for theatre scholarship on racial impersonation."—Theatre Journal Blackface Cuba, 1840-1895 offers a critical history of the relation between racial impersonation, national sentiment, and the emergence of an anticolonial public sphere in nineteenth-century Cuba. Through a study of Cuba's vernacular theatre, the teatro bufo, and of related forms of music, dance, and literature, Lane argues that blackface performance was a primary site for the development of mestizaje, Cuba's racialized national ideology, in which African and Cuban become simultaneously mutually exclusive and mutually formative." (Doris Sommer, Harvard University)
8. Caribbean Espiritismo (Spiritist) altars : the Indian and the Congo
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Bettelheim,Judith (Author)
- Format:
- Journal Article
- Publication Date:
- June 2005
- Published:
- New York
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Art bulletin
- Journal Title Details:
- 87 (2): 312-330
- Notes:
- Explores the association of altars with religious practice known as Espiritismo or Spiritism in the Caribbean culture, particularly the Indians and Congo. Attributes of Espiritismo; Distinction of an Espiritismo altar from other non-Christian altars assembled in observance of the Caribbean religions; Relation of Espiritismo with the religion Palo Monte Mayombe in Cuba.
9. Afro-Cuban Myths: Yemayá and other orishas
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lachatañeré,Rómulo (Author) and Ayorinde,Christine (Author)
- Format:
- Book, Whole
- Publication Date:
- 2005
- Published:
- Princeton, NJ: M. Wiener Publishers
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 156 p, Distinguishes between the two most important religious forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of lle-lfe', which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.