Argues that the Trinidad carnival and the overseas Caribbean carnivals (e.g. Notting Hill, London; Caribana, Toronto; Labour Day, New York) are products of and responses to the processes of globalization as well as transcultural and transnational formations. Carnival is theorized as a hybrid site for the ritual negotiation of cultural identity and practice by the Caribbean diaspora.
Examines how the Mocko Jumbie stilt-dancing masquerade evolved in the U.S. Virgin Islands. Contends that an upper Guinea coast provenance appears more likely than origins in southeastern Nigeria
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
32 p, Contents: The Caribbean and its food -- People, food, and farming -- Caribbean religions -- Christmas and New Year's -- Carnival -- Food and harvest festivals